Abstract: A line depth augmentation system and method for conversion of 2D images to 3D images. Enables adding depth to regions by altering depth of lines in the regions, for example in cell animation images or regions of limited color range. Eliminates creation of wireframe or other depth models and complex modeling of regions to match the depth of lines therein. Enables rapid conversion of two-dimensional images to three-dimensional images by enabling stereographers to quickly add/alter line depth without artifacts in images for example lines in monochrome regions. Embodiments may output a stereoscopic image pair of images with lines having desired depth, or any other three-dimensional viewing enabled image, such as an anaglyph image. Although the lines may be of a different depth than the region they appear in, the human mind interprets the monochromatic region as having depth associated with the line.

Abstract: Movies to be colorized/depth enhanced (2D?3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D?3D conversion.

Abstract: A tilt-based look around effect image enhancement method that enables two-dimensional images to be depth enhanced and displayed for example from a different point of view based on the tilt or orientation, and/or movement of the viewing device itself. Embodiments may further alter or otherwise utilize different parallax maps to apply depth to the image based on the display type, e.g., two-dimensional or stereoscopic display, and may dynamically utilize both algorithms on a display capable of both types of display. In addition, embodiments may display information foreign to the image when portions of the image are exposed during the look around effect, including advertisements, game information, hyperlinks or any other data not originally in the image.

Abstract: Embodiments enable a three-dimensional annotation system and method that accepts desired depths for regions of input images and annotates two-dimensional/three-dimensional images with three-dimensional annotations for viewing at the desired depth(s) in any three-dimensional manner. Enables rapid and intuitive specification of desired depth and application of depth to regions in the two-dimensional images, or when editing three-dimensional images, as annotated by the three-dimensional annotations having at least one depth associated with the annotation. Enables rapid and intuitive depth augmentation or editing of an input image.

Abstract: A line depth augmentation system and method for conversion of 2D images to 3D images. Enables adding depth to regions by altering depth of lines in the regions, for example in cell animation images or regions of limited color range. Eliminates creation of wireframe or other depth models and complex modeling of regions to match the depth of lines therein. Enables rapid conversion of two-dimensional images to three-dimensional images by enabling stereographers to quickly add/alter line depth without artifacts in images for example lines in monochrome regions. Embodiments may output a stereoscopic image pair of images with lines having desired depth, or any other three-dimensional viewing enabled image, such as an anaglyph image. Although the lines may be of a different depth than the region they appear in, the human mind interprets the monochromatic region as having depth associated with the line.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: Motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion.

Abstract: Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion.

Abstract: Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion.