Abstract: A device (1) is arranged for synthesizing sound represented by sets of parameters, each set comprising noise parameters (NP) representing noise components of the sound and optionally also other parameters representing other components, such as transients and sinusoids. Each set of parameters may correspond with a sound channel, such as a MIDI voice. In order to reduce the computational load, the device comprises a selection unit (2) for selecting a limited number of sets from the total number of sets on the basis of a perceptual relevance value, such as the amplitude or energy. The device further comprises a synthesizing unit (3) for synthesizing the noise components using the noise parameters of the selected sets only.

Abstract: Classic organ sounds are produced by selecting plural loops of predetermined sound components, and combining the components in accordance with parameters readily adjusted by an operator, which parameters are maintained separately from the musical notes which are being sounded at any given time. In this way, the finishing of the organ sounds may be tailored to circumstances, such as particular organ sound qualities, particular organ styles and the like. Plural microprocessors allow organ sounds to be produced, and varied, in accordance with any desired finishing, under operator control.

Abstract: An electronic musical instrument incorporates at least two tone signal outputs and controls sound image localization of musical tones in accordance with localization data by changing the levels of at least first and second tone signals provided, respectively, to the tone signal outputs. The instrument includes a tone signal generator for generating a generated tone signal and an output control data production circuit receiving the localization data and providing tone signal volume data and a selection signal. A tone signal output level control receives the generated tone signal and provides the first and second tone signals to the tone signal output. The tone signal output level control has a multiplier for altering the generated tone signal responsive to said volume data to provide one of the first and second tone signals. The tone signal output level control provides a signal corresponding to the generated tone signal unaltered by any multiplication as the other of the first and second tone signals.

Abstract: A music synthesizer is constructed according to a modular scheme with plural, substantially interchangeable voice units. During operation, these voice units are used to simulate different instruments. The voice units operate under control of a master computer, and take waveform data from a common memory through a common digital data bus. The actions of each voice unit in simulating a note are controlled according to a plurality of control parameters. These control parameters are derived by interpolating between plots of each control parameter versus time for a weak actuation (soft note) and a strong actuation (hard note) condition. The synthesizer is arranged to simulate the effects caused by the interactions between closely spaced excitations of the same instrument such as closely spaced strikes upon a drumhead, by varying the qualities of the sound. The synthesizer may also serve as a mixer or as a multichannel signal processing device.

Abstract: An apparatus for achieving the effect of air movement in instruments during replication and sounding of complex musical instruments by separating unstable frequency components, the quasi-periodic components, from stable fundamental and harmonic components, the periodic components, of compound voice waveforms, storing the respective component information pertaining to the quasi-periodic and periodic components in separate memory locations, and recombining the quasi-periodic component with one or more periodic components in appropriate fashion to form and sound the compound voice waveforms.