Abstract: A method of creating AI-composed music having a style that reflects and/or augments the personal style of a user includes selecting and/or composing one or more seed compositions; applying variation and/or mash-up methods to the seed compositions to create training data; training an AI using the training data; and causing the AI to compose novel musical compositions. The variation methods can include methods described in the inventor's previous patents. A novel method of creating mash-ups is described herein. Variation and mash-up methods can further be applied to the A compositions. The AI compositions, and/or variations and/or mash-ups thereof, can be added to the training data for re-training of the AI. The disclosed mash-up method includes parsing the seed compositions into sequences of elements, which can be of equal length, beat-matching the seed compositions to make corresponding elements of equal beat length, and combining the elements to form a mash-up.

Abstract: A method for creating mash-ups of musical and/or other inputs includes parsing each input into a sequence of elements, which can be of equal length, beat-matching the inputs to make corresponding elements of equal beat length, and combining the elements to form a mash-up. Embodiments align the inputs before combination. The inputs can each include a plurality of tracks. Improved chaotic mapping can be used to substitute elements between tracks of the inputs. The elements, singly or in groups, can be modified before substitution. In other embodiments elements from the input tracks are introduced into a mash-up template whereby different combinations of corresponding elements are included in each mash-up frame. The tracks can be successively introduced into the mash-up and/or successively eliminated in a final Coda section of the mash-up. The combinations can be according to a recognizable pattern, which can be repeated, or determined by improved chaotic mapping.

Abstract: An altered but recognizable variant of an input musical composition is created by parsing the input into elements, selecting elements for replacement using a hole-selecting algorithm, and replacing the selected elements using a substitution algorithm. A plurality of tracks from the same composition, or from different compositions, can be separately varied and combined, or concatenated and varied together, or used as a seed source of a substitution algorithm, to create a remix or mash-up. Music variants can be combined with photographs, images, or videos, for distribution to recipients, or for a project presentation or story board. Greeting cards, MP3 players, mobile electronic devices, wearable electronic devices, toys, video games, websites, and ringtones can be configured to create and play a new variant of an input composition each time it is accessed. Websites can be used to host and track successive, “chain” variations of an input musical composition.

Abstract: An altered but recognizable variant of a MIDI file, music recording, or other discrete or continuous input is created by parsing the input into a plurality of original elements, using a hole-selecting algorithm to select some original elements for modification or replacement, and applying a variation method and/or substitution algorithm. Hole-selection can include an improved application of a chaotic mathematical function. Replacement elements can be taken from the input, or from another seed source, and can be identified by chaotic mapping or by scanning for a suitable match. Continuous inputs can be manually or automatically parsed into segments, or converted to MIDI files. Modifying algorithms such as scanning, inversion (dynamic), interval shift and/or insert, reversal, repetition, stenciling, repetitive beat and/or phrase structure, can be applied to pitches and rhythms to produce notes and rhythms not found in the input. Banning can prevent repeated use of a replacement element.

Abstract: A procedure for generating different variations of a sequence of symbols, such as a musical piece, based on the properties of a chaotic system--most notably, sensitive dependence on the initial condition--is described and demonstrated. This method preferably uses a fourth order Runge-Kutta implementation of a chaotic system. Bach's Prelude in C Major from the Well-Tempered Clavier, Book I serves as the illustrative example since it is well-known and easily accessible. Variations of the Bach can be heard that are very close to the original while others diverge further. The system is designed for composers who, having created a through-composed work or section, would like to further develop their musical material. The composer is able to interact with the system to select various versions and change them, if desired. Yet the compositional character of the variations remains within the artist's domain of style, expression and inventiveness.