Abstract: A multi-channel input signal having at least three original channels is represented by a parameter representation of the multi-channel signal. A first balance parameter, a first coherence parameter, or a first inter-channel time difference between a first channel pair and a second balance parameter, or a second coherence parameter, or a second inter-channel time difference parameter between a second channel pair are calculated. This set of parameters is the parameter representation of the original signals. The first channel pair has two channels, which are different from two channels of a second channel pair. Furthermore, each channel of the two channel pairs is one of the original channels, or a weighted combination of the original channels, and the first channel pair and the second channel pair include information on the three original channels.

Abstract: On an encoder-side, a multi-channel input signal is analyzed for obtaining smoothing control information, which is to be used by a decoder-side multi-channel synthesis for smoothing quantized transmitted parameters or values derived from the quantized transmitted parameters for providing an improved subjective audio quality in particular for slowly moving point sources and rapidly moving point sources having tonal material such as fast moving sinusoids.

Abstract: A parameter calculator calculates lower resolution parametric information and interpolation information. On a decoder-side, an upmixer is used for generating the output channels. The upmixer uses high resolution parametric information generated by a parameter interpolator using the low resolution parametric information and decoder-side derived interpolation information or encoder-generated interpolation information for selecting one of a plurality of different interpolation characteristics.

Abstract: A parametric representation of a multi-channel audio signal describes the spatial properties of the audio signal well with compact side information when a coherence information, describing the coherence between a first and a second channel, is derived within a hierarchical encoding process only for channel pairs including a first channel having only information of a left side with respect to a listening position and including a second channel having only information from a right side with respect to a listening position. As within the hierarchical process the multiple audio channels of the audio signal are downmixed iteratively into monophonic channels, one can pick the relevant parameters from an encoding step involving only channel pairs carrying the information needed to describe the spatial properties of the multi-channel audio signal.

Abstract: A parameter representation of a multi-channel signal having several original channels includes a parameter set, which, when used together with at least one down-mix channel allows a multi-channel reconstruction. An additional level parameter is calculated such that an energy of the at least one downmix channel weighted by the level parameter is equal to a sum of energies of the original channels. The additional level parameter is transmitted to a multi-channel reconstructor together with the parameter set or together with a down-mix channel. An apparatus for generating a multi-channel representation uses the level parameter to correct the energy of the at least one transmitted down-mix channel before entering the down-mix signal into an up-mixer or within the up-mixing process.

Abstract: A parametric representation of a multi-channel audio signal having parameters suited to be used together with a monophonic downmix signal to calculate a reconstruction of the multi-channel audio signal can efficiently be derived in a stereo-backwards compatible way when a parameter combiner is used to generate the parametric representation by combining a one or more spatial parameters and a stereo parameter resulting in a parametric representation having a decoder usable stereo parameter and an information on the one or more spatial parameters that represents, together with the decoder usable stereo parameter, the one or more spatial parameters.

Abstract: An audio object coder for generating an encoded object signal using a plurality of audio objects includes a downmix information generator for generating downmix information indicating a distribution of the plurality of audio objects into at least two downmix channels, an audio object parameter generator for generating object parameters for the audio objects, and an output interface for generating the imported audio output signal using the downmix information and the object parameters. An audio synthesizer uses the downmix information for generating output data usable for creating a plurality of output channels of the predefined audio output configuration.

Abstract: A parameter transformer generates level parameters, indicating an energy relation between a first and a second audio channel of a multi-channel audio signal associated to a multi-channel loudspeaker configuration. The level parameter are generated based on object parameters for a plurality of audio objects associated to a down-mix channel, which is generated using object audio signals associated to the audio objects. The object parameters have an energy parameter indicating an energy of the object audio signal. To derive the coherence and the level parameters, a parameter generator is used, which combines the energy parameter and object rendering parameters, which depend on a desired rendering configuration.

Abstract: A multi-channel input signal having at least three original channels is represented by a parameter representation of the multi-channel signal. A first balance parameter, a first coherence parameter, or a first inter-channel time difference between a first channel pair and a second balance parameter, or a second coherence parameter, or a second inter-channel time difference parameter between a second channel pair are calculated. This set of parameters is the parameter representation of the original signals. The first channel pair has two channels, which are different from two channels of a second channel pair. Furthermore, each channel of the two channel pairs is one of the original channels, or a weighted combination of the original channels, and the first channel pair and the second channel pair include information on the three original channels.

Abstract: An apparatus for synthesizing a rendered output signal having a first audio channel and a second audio channel includes a decorrelator stage for generating a decorrelator signal based on a downmix signal, and a combiner for performing a weighted combination of the downmix signal and a decorrelated signal based on parametric audio object information, downmix information and target rendering information. The combiner solves the problem of optimally combining matrixing with decorrelation for a high quality stereo scene reproduction of a number of individual audio objects using a multichannel downmix.

Abstract: The present invention provides improvements to prior art audio codecs that generate a stereo-illusion through post-processing of a received mono signal. These improvements are accomplished by extraction of stereo-image describing parameters at the encoder side, which are transmitted and subsequently used for control of a stereo generator at the decoder side. Furthermore, the invention bridges the gap between simple pseudo-stereo methods, and current methods of true stereo-coding, by using a new form of parametric stereo coding. A stereo-balance parameter is introduced, which enables more advanced stereo modes, and in addition forms the basis of a new method of stereo-coding of spectral envelopes, of particular use in systems where guided HFR (High Frequency Reconstruction) is employed. As a special case, the application of this stereo-coding scheme in scalable HFR-based codecs is described.

Abstract: The present invention provides improvements to prior art audio codecs that generate a stereo-illusion through post-processing of a received mono signal. These improvements are accomplished by extraction of stereo-image describing parameters at the encoder side, which are transmitted and subsequently used for control of a stereo generator at the decoder side. Furthermore, the invention bridges the gap between simple pseudo-stereo methods, and current methods of true stereo-coding, by using a new form of parametric stereo coding. A stereo-balance parameter is introduced, which enables more advanced stereo modes, and in addition forms the basis of a new method of stereo-coding of spectral envelopes, of particular use in systems where guided HFR (High Frequency Reconstruction) is employed. As a special case, the application of this stereo-coding scheme in scalable HFR-based codecs is described.

Abstract: The present invention provides improvements to prior art audio codecs that generate a stereo-illusion through post-processing of a received mono signal. These improvements are accomplished by extraction of stereo-image describing parameters at the encoder side, which are transmitted and subsequently used for control of a stereo generator at the decoder side. Furthermore, the invention bridges the gap between simple pseudo-stereo methods, and current methods of true stereo-coding, by using a new form of parametric stereo coding. A stereo-balance parameter is introduced, which enables more advanced stereo modes, and in addition forms the basis of a new method of stereo-coding of spectral envelopes, of particular use in systems where guided HFR (High Frequency Reconstruction) is employed. As a special case, the application of this stereo-coding scheme in scalable HFR-based codecs is described.

Abstract: A multi-channel decoder is provided for decoding a mono signal and an associated inter-channel coherence measure, the inter-channel coherence measure representing a coherence between a plurality of original channels, the mono signal being derived from the plurality of original channels.

Abstract: A synthesizer for generating a decorrelation signal using an input signal is operative on a plurality of subband signals, wherein a subband signal includes a sequence of at least two subband samples, the sequence of the subband samples representing a bandwidth of the subband signal, which is smaller than a bandwidth of the input signal. The synthesizer includes a filter stage for filtering each subband signal using a reverberation filter to obtain a plurality of reverberated subband signals, wherein a plurality of reverberated subband signals together represent the decorrelation signal. This decorrelation signal is used for reconstructing a signal based on a parametrically encoded stereo signal consisting of a mono signal and a coherence measure.

Abstract: The present invention provides improvements to prior art audio codecs that generate a stereo-illusion through post-processing of a received mono signal. These improvements are accomplished by extraction of stereo-image describing parameters at the encoder side, which are transmitted and subsequently used for control of a stereo generator at the decoder side. Furthermore, the invention bridges the gap between simple pseudo-stereo methods, and current methods of true stereo-coding, by using a new form of parametric stereo coding. A stereo-balance parameter is introduced, which enables more advanced stereo modes, and in addition forms the basis of a new method of stereo-coding of spectral envelopes, of particular use in systems where guided HFR (High Frequency Reconstruction) is employed. As a special case, the application of this stereo-coding scheme in scalable HFR-based codecs is described.

Abstract: On an encoder-side, a multi-channel input signal is analyzed for obtaining smoothing control information, which is to be used by a decoder-side multi-channel synthesis for smoothing quantized transmitted parameters or values derived from the quantized transmitted parameters for providing an improved subjective audio quality in particular for slowly moving point sources and rapidly moving point sources having tonal material such as fast moving sinusoids.

Abstract: A multi-channel input signal having at least three original channels is represented by a parameter representation of the multi-channel signal. A first balance parameter, a first coherence parameter, or a first inter-channel time difference between a first channel pair and a second balance parameter, or a second coherence parameter, or a second inter-channel time difference parameter between a second channel pair are calculated. This set of parameters is the parameter representation of the original signals. The first channel pair has two channels, which are different from two channels of a second channel pair. Furthermore, each channel of the two channel pairs is one of the original channels, or a weighted combination of the original channels, and the first channel pair and the second channel pair include information on the three original channels.

Abstract: A synthesizer for generating a decorrelation signal using an input signal is operative on a plurality of subband signals, wherein a subband signal includes a sequence of at least two subband samples, the sequence of the subband samples representing a bandwidth of the subband signal, which is smaller than a bandwidth of the input signal. The synthesizer includes a filter stage for filtering each subband signal using a reverberation filter to obtain a plurality of reverberated subband signals, wherein a plurality of reverberated subband signals together represent the decorrelation signal. This decorrelation signal is used for reconstructing a signal based on a parametrically encoded stereo signal consisting of a mono signal and a coherence measure.

Abstract: Parameters being a measure for a characteristic of a channel or of a pair of channels, wherein the parameter is a measure for a characteristic of the channel or of the pair of channels with respect to another channel of a multi-channel signal can be quantized more efficiently using a quantization rule that is generated based on a relation of an energy measure of the channel or the pair of channels and an energy measure of the multi-channel signal. With generation of the quantization rule taking into account a psycho acoustic approach, the size of an encoded representation of the multi-channel signal can be decreased by coarser quantization without significantly disturbing the perceptual quality of the multi-channel signal when reconstructed from the encoded representation.