Abstract: A sound pickup switching system for an electric string instrument which has at least two pickup coils and a multi-position selector switch, includes a switch matrix with a plurality of switches in it connected to the pickup coils. The switch matrix electrically interconnects the pickup coils in predetermined combinations of series, parallel, in-phase, or out-of-phase arrangements. A relay driver is coupled to the switch matrix to operate the switches under control of outputs from a table memory coupled with the relay driver. User input controls are coupled with the table memory for entering and storing groups of user selected switch combinations in the table memory; and connections are made between the selector switch on the string instrument and the table memory for enabling the table memory to cause the relay driver to operate predetermined combinations of switches in the switch matrix corresponding to different positions of the selector switch on the electric string instrument.

Abstract: A tactile metronome for use by a musician generally includes a signal generator for producing an electrical signal according to a desired timing scheme and a tactile transducer in electrical communication with the signal generator. The tactile transducer, which may take the form of a piezoelectric device, a buzzer, electrodes or any substantial equivalent, is adapted to impart a tactile sensation to the musician in response to the generated electrical signal. A strap, which may be formed from an elastic material or a soft cloth material with hook and loop fasteners, is provided to secure the tactile transducer in place on the musician's body.

Abstract: The tone pitch of a given tone waveform is detected by forming an envelope waveform of the given tone waveform, holding the level of the envelope waveform at each of the zero cross times of the given tone waveform and releasing such holding starting new holding when the level of the given tone waveform exceeds the held level of the envelope waveform, and determining the pitch of the given tone waveform based on the period between the adjacent zero cross times, A correction target note pitch is provided, to which the detected tone pitch of the given tone waveform is corrected. The detected tone pitch, the correction target note pitch and the amount of correction are exhibited for the user to visually understand the pitch correction.

Abstract: An innovative music instrument (101) comprises at least one tunable string (102), a holding device (106) for holding the at least one string (102), an electrically or electronically operated exciting device (116,116?) for contactlessly exciting of the at least one string (102), a sounding body (108) for acoustically radiating oscillations of the string and an interface (113) for supplying a signal to the exciting device (116, 116?), wherein the signal is produced independently from the at least one string (102). The exciting device (116, 116?) enables exciting oscillations of the string of a sufficiently large amplitude so that the sounding body (108) can radiate tones of a loudness which is at least in the range of known acoustical string instruments. For transferring the string's oscillations to the sounding body (108), a bridge (112) is arranged between the sounding body (108) and the at least one string (102) .

Abstract: An electronic percussion instrument samples an input waveform. An unused waveform number may be automatically assigned to the sampled waveform upon sampling or when a user-specified waveform number is already in use for another waveform. Musical time parameters for the input waveform may be specified in advance of sampling, and an endpoint for the sampled waveform may be automatically set in response to a stop sampling command so that length of the waveform is a whole number of musical time units such as bars or beats. The endpoint of the sampled waveform may be set to the beginning or the end of the musical time unit during which the stop command is received, depending on the time at which the stop command is received. The sampled waveform may be edited by manually moving the starting point by a specified amount and automatically moving the end point by a corresponding amount, by changing the specified tempo of the waveform, or by specifying a different number of musical time units.

Abstract: A pivoting electromagnetic pickup device is provided. The invention generally is comprised of an elongated support structure, an electromagnetic pickup, a pivoting means, and an angular position locking means. The extremity of the elongated support structure is pivotally attached to the front face of an electric guitar or electric base body, between the front face and the strings, restricting its movement to a curvilinear path substantially normal to the axis of rotation and substantially parallel to the plane of the strings. The pickup is mounted to the elongated support structure, between the elongated support structure and the strings. Attaching the elongated support structure to the guitar body in a pivotal relationship is the pivoting means. The angular position locking means can be engaged to continuously vary the resistance to angular motion, from no resistance to maximum resistance, where the elongated support structure is substantially locked to a chosen angular position.

Abstract: There is provided a musical tone generation control system which enables the user to obtain a feeling of operation as well as to obtain a feeling of satisfaction as if he or she were aggressively participating in performance or playback of a musical composition or the like. The musical tone generation control system has at least one operating terminal that can be carried by an operator. Each operating terminal detects a motion of the operating terminal caused by an operation of the operator, generates motion information based on the detected motion, and transmits the generated motion information to the musical tone generation control apparatus.

Abstract: An electronic tone generation system including a plurality of separate, portable, handheld transmitters, or batons, that are provided as “instruments” to numerous players to form a choir. Each baton is activated by one of the players to send a signal, preferably a wireless signal, to a single receiver which produces an output signal fed to a tone generator, preferably a MIDI tone generator, which produces audible sounds via an amplifier and speakers. For example, the batons can correspond to different musical notes as played by a selected musical instrument and the batons can be played in concert by the choir to produce a musical or other audible presentation. Alternatively, selected batons can be designated to play in one voice, while others batons are set to play other voices.

Abstract: A system and methods which allow even a novice performer to easily play music which is not disharmonious and which is pleasing to the performer and his or her audience. The music is preferably created by a performer breaking one or more beams of light, which are emitted by one or more beam emitters and received, or detected, by one or more beam detectors. When a beam detector determines that a beam has been broken, a trigger is sent to a synthesizer, with such synthesizer preferably being a computer interfaced to the beam detectors via a Universal Serial Bus connection. The synthesizer selects from one or more electronic sounds, based on a pre-programmed collection of sounds, and a sound generator, such as an amplifier and speakers, plays the sound.

Abstract: A method is provided for designing an acoustic correction filter applicable to a stringed instrument, which is composed of a string member operable to undergo a vibration, a support member for supporting the string member, a body member responsive to the vibration transmitted through the support member for generating a natural sound and a mute attachment for muting the natural sound. The acoustic correction filter is operable when the natural sound is muted by the mute attachment for filtering a signal derived from the vibration so as to create an artificial sound instead of the muted natural sound.

Abstract: Extensions and generalizations are made to the pedal steel guitar. Separate transducers provided to each string permit fixed or variable pitch and timbre modifications determined by stored program control. Variable pitch and timbre modifications may be controlled by physical controllers such as single or multi-parameter foot pedals, knee levers, and wrist controllers. Physical controllers may return to an original position or hold their position after operation. A traditional mechanical tuning changer operated by traditional foot pedals and knee levers may be included; the latter may operate physical controllers. The bar position may be sensed, and the bar may include physical controllers wirelessly linked to the instrument. A miniature keyboard and strumpad may be provided in the picking area to control synthesizers and produce MIDI output. Strumpad operation can be controlled with chord buttons, foot pedals, or other physical controller devices.

Abstract: An electric percussion unit and small-sized speakers are detachably connected to a trunk of an electric frame guitar, and a circuit board, on which electric circuit components required for generating tones and percussion sound are mounted, and a battery unit are housed in the trunk; while a guitarist is playing a flamenco on the electric frame guitar, the guitarist beats the percussion unit with his or her hand or finger nails, and the guitar tones and percussion sound are radiated from the small-sized speakers; the electric frame guitar system is available for a wide variety of music genres, and the portability is enhanced.

Abstract: An electronic, voice-controlled musical instrument called the Vocolo, in which the player hums into the mouthpiece, and the device imitates the sound of a musical instrument whose pitch and volume change in response to the player's voice is disclosed. The player is given the impression of playing the actual instrument and controlling it intimately with the fine nuances of his voice. The invention comprises techniques for pitch quantization that provide esthetically pleasing note transitions, mechanisms for song recording that are suited for rhythmic repeated playback and performance evaluation of the player's pitch control, techniques related to expressive control and pitch detection, and techniques for mitigating the effect of pitch detection errors. Embodiments are disclosed for providing finger/hand interaction for expressive control, a microphone enclosure that mitigates audio feedback, and for providing rhythmic feedback to the player through mechanical vibrations induced in the device.

Abstract: An innovative music instrument (101) comprises at least one tunable string (102), a holding device (106) for holding the at least one string (102), an electrically or electronically operated exciting device (116, 116′) for contact-lessly exciting of the at least one string (102), a sounding body (108) for acoustically radiating oscillations of the string and an interface (113) for supplying a signal to the exciting device (116, 116′), wherein the signal is produced independently from the at least one string (102). The exciting device (116, 116′) enables exciting oscillations of the string of a sufficiently large amplitude so that the sounding body (108) can radiate tones of a loudness which is at least in the range of known acoustical string instruments. For transferring the string's oscillations to the sounding body (108), a bridge (112) is arranged between the sounding body (108) and the at least one string (102).

Abstract: As an electronic tone is generated in response to performing operation, the electronic tone is picked up by microphones corresponding to left and right channels, and picked-up sound signals thus generated by the microphones are then subjected to signal processing, such as reverberation impartment utilizing acoustic conditions of the interior of a room. Picked-up sound signals having undergone such signal processing are audibly reproduced via rear speakers. Then, once an automatic adjustment instruction is given from a user, measuring tones are reproduced stereophonically, and contents of the signal processing of the individual channels are adjusted on the basis of measured results of picked-up sound signals generated by the microphones picking up the reproduced measuring tones.

Abstract: An arrangement of a rhythmic apparatus with a vehicle sound apparatus is described, the vehicle sound apparatus generating a first audio signal, the arrangement comprising an electronic module and an electronic transducer the electronic transducer comprising conversion means of vibratory pulses into electrical signals, the electronic module comprising a processing unit having reception means for the signals from de electronic transducer and conversion means of these signals into a second audio signal, the processing unit being associated to a mixer unit having means for the junction of the second audio signal with the first audio signal. The technical sector, which this invention is directed to, is that of the electronics turned to psychology.

Abstract: An electronic, voice-controlled musical instrument called the Vocolo, in which the player hums into the mouthpiece, and the device imitates the sound of a musical instrument whose pitch and volume change in response to the player's voice is disclosed. The player is given the impression of playing the actual instrument and controlling it intimately with the fine nuances of his voice. The invention comprises techniques for pitch quantization that provide esthetically pleasing note transitions, mechanisms for song recording that are suited for rhythmic repeated playback and performance evaluation of the player's pitch control, techniques related to expressive control and pitch detection, and techniques for mitigating the effect of pitch detection errors. Embodiments are disclosed for providing finger/hand interaction for expressive control, a microphone enclosure that mitigates audio feedback, and for providing rhythmic feedback to the player through mechanical vibrations induced in the device.

Abstract: A wind controller is disclosed which provides glitch-free playing of the instrument by using key position sensors which produce tristate logic signals indicating released, held, or transition positions of each key. Logic circuitry processes the key position signals and prevents any note from sounding when any of the keys is in transition between the released and held positions. The controller also allows the player to select alternate fingering charts which avoid “mine field” fingerings and which are created and downloaded to the wind controller using a personal computer. A set of chord keys and a computer program allows the player to register, without sounding, a series of notes to make up a chord using a registration key and an enable/disable key which alternately activates the last registered chord for playing or deactivates it to return to monophonic mode. Another registration key is provided to register another chord whereby an endless progression of chords can be played in succession.

Abstract: A musical wind instrument includes a mouthpiece through which the user blows air and a sensor is deployed to produce an output which varies as a function of how hard the user blows through the mouthpiece. A tone generator system is responsive to the sensor output to generate an audible tone wherein a pitch of the audible tone varies as a function of the sensor output, and hence as a function of how hard the user blows.

Abstract: A system and a method of measuring, decomposing, processing and uniquely recombining forces and vibrations acting on stringed musical instruments (SMI). The system utilizes a digital signal processor and reproduces the musical sound characteristics of an acoustic instrument into high fidelity electrical signals for amplification, processing and/or filtering and reproduction of musical sounds by uniquely exploiting, through measurements and subsequent signal processing, the vector nature of string excitation forces (SEF) and body vibrations of stringed musical instruments. A signal processing system of the current invention also utilizes a plurality of sensors, each responsive to at least one of force, displacement, velocity or acceleration indicative of the vibrational energy of the strings, to produce a sensor signal vector, which is then processed and transformed by a plurality of re-creation filters into a transformed signal vector, and then resynthesized into an output signal.

Abstract: An electric musical instrument is provided, which enables rich and diverse expressions to be achieved in musical performance. A driving member drives a tone generating source. A driving member-side signal generator obtains a signal from the driving member and outputs the obtained signal. A musical tone signal generator generates a musical tone signal using the signal output by the driving member-side signal generator and outputs the generated musical tone signal. In another aspect of the invention, a tone generating source-side signal generator obtains a tone generating source-side signal from the tone generating source and outputs the obtained signal, and a driving member-side signal generator obtains a driving member-side signal from the driving member and outputs the obtained signal. A modulation device frequency-modulates one of the tone generating source-side signal and the driving member side signal with the other signal. The modulated signal is output from the modulation device as a sound.

Abstract: A combination of limited data, 3D linear interpolation, and a unique simulation circuit are combined to provide a programmable tone control that can simulate any desired tone stack. In accordance with one aspect of the invention, it has been found that a reduced number of data points plus interpolation provides sufficiently accurate coefficients for simulation. The data points are obtained from measurements of the actual operation of the analog tone stacks to be simulated. A second aspect of the invention is the simulation circuit controlled by the coefficients to accurately reproduce the operation of any given tone stack. The simulation circuit uses two programmable filters and three variable gain amplifiers to simulate a tone stack. The cut-off frequency of each filter and the gain of each amplifier are determined by coefficients extracted by interpolation from stored data.

Abstract: A position sensor is used in conjunction with one or more batons, each baton having a transmitter that transmits a distinct radio frequency signal at a position in space. The position sensor determines the current position of each baton transmitter in terms of X, Y, and Z coordinates. The position sensor includes a tablet having a flat support member, with at least two pairs of electrodes coupled to the flat support member. Each of the electrodes is a separate antenna. A first pair of the electrodes is shaped so that the amount of capacitive coupling between each baton transmitter and the first pair of electrodes corresponds to the position of the baton transmitter with respect to the X axis. A second pair of the electrodes is shaped so that the amount of capacitive coupling between each baton transmitter and the second pair of electrodes corresponds to the position of the baton transmitter with respect to the Y axis.

Abstract: A mount by which a component is non-destructively mounted on a musical instrument includes a receptacle and one or more abutment members, such as resilient clips, which do not screw into the instrument but engage the instrument to hold the mount on the instrument. A component is secured to the mount to install the component on the instrument. One such component provides digital control of an analog tone adjustment circuit. The digital control can include selectable preset conditions. Another such component provides on-board effects processing, such as a chorus effect. An output electrical coupling is provided with a switch used to energize the circuit of the component with which it is used.

Abstract: An electronic percussion instrument includes a pad section and a rim section provided about the pad section. A pad sensor is provided in the pad section to output a signal in response to a force applied to the pad section. A rim sensor is provided in the rim section to detect a signal corresponding to a force applied to the rim section, for example, to detect the presence or the absence of a pressure force applied to the rim section. The electronic percussion instrument includes a tone generation control device that provides unique control over the generation of tones. When a tone is generated based on a signal representative of a beat force applied to the pad sensor, the tone color of the tone is selected based on the presence or the absence of a pressure force applied to the rim sensor.

Abstract: A control instrument for a system for generating acoustic output which includes a processor for receiving user input signals and control the acoustic output in response to the user input signals. The control instrument includes an instrument body, and at least one sensor element carried by the instrument body. The sensor element generates user input signals upon tactile actuation of the sensor element by a user. The user input signals indicate the location of contact and amount of force applied to the sensor element by the user. A music synthesis system and a sound processing system each including the control instrument are also provided.

Abstract: An electronic stringed instrument having a first pickup device and a second pickup device. When any one of the strings is picked at a picking position between the first pickup device and the second pickup device, vibrational waves propagate from the picking position toward both sides of the string. When the advancing waves pass the first and second pickup devices, the first and second pickup devices output electrical signals. A time difference between the electrical signals provided by the first and second pickup devices is calculated to determine the picking position. Note tone color and other tonal parameters are controlled based on the picking position.

Abstract: An amplifier circuit for providing a combined clean and dirty output signal from an electric guitar. The circuit comprises a panning pedal that has two potentiometers attached thereto so that movement of the panning pedal results in two continuously varying ranges of resistances being produced by the potentiometers. The output signal of the guitar is provided to the panning pedal and the resistance values of the potentiometers determine the proportion of the guitar output signal that is to be provided to a clean pre-amp stage and the proportion that is to be provided to a dirty pre-amp stage. The clean pre-amp stage amplifies the output signal substantially without distortion and the dirty pre-amp stage amplifies the signal so as to produce a saturated output signal. The output of the clean pre-amp stage and the dirty pre-amp stage are then combined to produce a single output signal.

Abstract: An electric stringed musical instrument that produces and processes electric signals through an analog circuit has the analog circuit digitally controlled. The digital control is preferably such that it enables desired preset conditions for the analog circuit to be stored and later recalled in a simple, rapid manner by a musician while he or she is playing the instrument. The instrument can additionally, or alternatively, include energy management and string responsiveness features.

Abstract: A guitar pickup switching system has a single-coil treble pickup, a single-coil middle pickup, and a single-coil rhythm pickup for an electric guitar. A switch arrangement allows the guitar player to select outputs of the pickups in any one of the following seven combinations: treble pickup output alone, treble pickup output plus middle pickup output, middle pickup output alone, middle pickup output plus rhythm pickup output, rhythm pickup output alone, treble pickup output plus rhythm pickup output, and treble pickup output plus middle pickup output plus rhythm pickup output. Two volume controls enable the player to vary the blend of treble pickup output and middle and rhythm pickup outputs provided from the switching system.

Abstract: An electric monophonic/stereophonic stringed resonator instrument includes a body, a resonator assembly mounted on the guitar body, and strings connected to the body. A pickup responsive to string movement and a transducer responsive to resonator assembly action provide respective electric signals representing respective sounds. Independent volume control is provided for each signal. A switch connects the signals either to a common output channel as a blended monophonic output or to respective output channels as a stereophonic output.

Abstract: In an electronic musical apparatus having an acoustic instrument manually operable to commence an acoustic vibration and a tone generator responsive to the acoustic vibration to generate a musical tone having a pitch corresponding to that of the acoustic vibration, a pitch detecting device utilizes a pickup for picking up the acoustic vibration to convert the same into a waveform signal. Further, a first detector operates according to a fast algorithm for processing the waveform signal so as responsively produce a first output representative of the pitch of the acoustic vibration, and a second detector operates in parallel to the first detector for processing the same waveform signal according to a slow algorithm so as to stably produce a second output representative of the pitch of the acoustic vibration.

Abstract: The vibration of a vibratory element, caused by applying thereto a shock, is detected by a vibration sensor and provided as an electric shock signal to a resonance circuit. The resonance frequencies and resonance decay time of the resonance circuit can freely be adjusted. By setting the resonance frequencies and resonance decay time of the resonance circuit to arbitrary values, desired frequency components are extracted from the electric shock signal and output as a sound signal of an electronic musical instrument.

Abstract: A signal blender that combines the pickup signals generated by three pickups for a musical instrument (e.g., a guitar) in plural combinations and multiple amplitudes to develop a blend signal. The device comprises a main blending resistance with plural connection taps, one for each pickup when the main resistance is a complete 360.degree. ring, one more tap if the main resistance is less than 360.degree.. Each pickup is connected to a tap. A rotary contact engages the main resistance to generate the blend signal; the blend signal is applied to an output amplifier.

Abstract: An electromagnetic pickup for an electric stringed instrument has, two parallel permeability plates placed perpendicular to strings; a permanent magnet provided between the two permeability plates in parallel to strings; and a coil wound around the permanent magnet. The plate permanent magnet is in contact with the permeability plates in such a manner that the portions of the permanent magnet that contact the permeability plates have oppsite polarities.

Abstract: An electric stringed instrument comprises an electromagnetic pickup having a permanent magnet and a string signal detecting coil wound around the permanent magnet and magnetically combined with the permanent magnet, an electromagnetic force producing unit having a driving coil to produce a magnetic force and being placed in the neighborhood of the electromagnetic pickup, and an adjusting unit provided with a part of a current flowing in the driving coil of the electromagnetic force producing unit and disposed at a place magnetically combined with the string signal detecting coil of the electromagnetic pickup. One induced electromotive force caused by magnetic flux from the adjusting unit and another induced electromotive force caused by magnetic flux from the electromagnetic force producing unit negate each other in the string signal detecting coil.

Abstract: A lap steel guitar having two hidden pickups at least halfway along the neck of the guitar underneath the fret board and electrically connected to a conventional fret board circuit so that, by a volume, control and a tone control, a new sound from the two hidden pickups may be mixed with sound from the conventional circuit when the strings of the guitar are strummed.

Abstract: An electronic musical instrument is provided with an operator and a function switch, adding to a controller having a shape similar to that of woodwind instrument and a tone source unit. The function switch selects a function such as a controll function of a musical tone parameter, or a musical play expression to be assigned to the operator such as a wheel switch or a foot switch. The operator performs the function assigned by the function switch during playing. Player can widen range of playing by selecting proper function and play effectively with the proper music play expression.

Abstract: An input data processor selects a value indicated by change border data, and uses this value as a reference value for determining whether a predetermined process is effected, and to change the currently used value indicated by the change border data to another value when the value of the input data becomes equal to a predetermined value. Namely, when the value of the input data is in the vicinity of a specific value, the detection of a change of the input data can be effected by using a resolution smaller than another resolution used for the detection when the value of the input data is not in the vicinity of the specific value. Detection of a change of the input data can be efficiently performed.

Abstract: A musical tone control apparatus controls a musical tone corresponding to a movement itself of an object and the like which is detected by a detector Such detector detects also a moving speed, a moving force, a moving angle or an intensity of given impulse of the object. In the case where the detector is mounted in the vicinity of a player's joint, the detector detects a revolving or bending angle of the player's joint. Hence, the musical tone can be controlled based on such angle of the player's joint. Thus, through this musical tone control apparatus, the player can generate a musical tone having, for example, a desirable tone pitch, a desirable volume and a desirable tone color based on the movement of the object or the player's joint.

Abstract: An electric violin includes a body having a top, bottom and a ribcage situated between the top and bottom. A neck is attached to the body and includes an unfretted fingerboard. A bridge is attached to the body and strings extend from the distal end of the neck over the bridge and are attached to the body. The body includes a narrow portion adjacent the neck enabling easy access to the upper portion of the fingerboard. The fingerboard portion of the neck extends over the body a fixed distance. The underside of the neck includes a projection which defines a first registration point normally associated with the fourth finger position of a violin. The neck also includes a second projection located on the underside of the neck that defines a second registration point for a predetermined fingerboard position, preferably the eighth finger position corresponding to a one octave higher position on the strings.

Abstract: An electronic musical instrument with pads is provided with a plurality of pads, a pad operation detection device, and a chord data generation device which generates specified chord data corresponding to a pad when the pad has been operated a second time within a specified time. Since chord data previously corresponds to each pad, if a player operates a pad two times within the specified time, chord data corresponding to that pad is generated. This chord data is provided to an accompaniment playing device and accompaniment playing is performed.

Abstract: A sound enhancing apparatus for use with a string instrument has separate tone pick-ups for picking up the tones of individual strings and circuits for, determining the fundamental tones of these tones, multiplying the frequencies of these fundamental tones by small integers and/or dividing them by small integers and consequently producing harmonic overtones and/or undertones. The thus produced harmonic undertones and/or overtones are selected and amplified according to fixed and/or adjustable criteria and finally admixed with the original sound. The electronic apparatus for performing the process can operate in analog or digital manner.

Abstract: A voice-controlled musical device is driven by an electroglottograph as an input to a controller. The electroglottograph (EGG) has a transducer in the form of a band that is located about the user's neck. The EGG converts the cycle of opening and closing of the vocal folds of the user's vocal chords into a clean electrical signal that is particularly accurate with respect to pitch. An output from a microphone integral to the band picks up acoustic dilations of the throat wall concurrent with the glottal cycle and this output is also applied to the controller to indicated vocal source volume. The EGG and microphone signals are combined and converted into a MIDI digital code which can be used to drive a musical synthesizer or a computer. An external switch may be used to alter the attack of a continuous voice performance.

Abstract: A striker designed to strike or be swung for playing music is provided with a musical sound-initiating command signal-generating device including switching members. When the striker strikes or swings, the switching members perform a switching action which triggers the transmitting of a musical sound-initiating command signal from the musical sound-initiating command signal-generating device. A desired musical sound is produced by a musical sound producing unit in response to the musical sound-initiating command signal. A number of different timbres can be selectively used for a musical tone, by operating a timbre-selecting switch provided on the striker.

Abstract: An apparatus for outputting a pitch data corresponding to a relative distance between a pair of movable members or a position of a second movable member relative to a first movable member. Data indicating the output relative distance or data indicating the output relative position is converted to corresponding pitch data in accordance with one of a plurality of conversion characteristics selected by a selection section. A pitch corresponding to the converted pitch data is determined. An electronic musical instrument outputs a musical tone having the determined pitch. The musical tone is controlled in accordance with a flow state of air passing through a mouthpiece or a bite pressure.

Abstract: The musical tone control apparatus detects a movement of a player, such as a holding, touching, beating, depressing, pulling, lifting up or down movement. Then, the musical tone control apparatus generates musical tone control data based on a detecting result of the movement of the player. The musical tone control data control a tone pitch, a tone color or a tone volume of a musical tone to be generated.

Abstract: A vibration of a string is picked up by a pickup to be converted to an electric signal. A pitch extracting circuit obtains pitch data expressing a pitch or a duration of the string vibration from the electric signal. A musical tone generating circuit generates a musical tone having a corresponding tone pitch in accordance with the pitch data. An envelope extracting circuit extracts an envelope from the eletric signal detected by the pickup and supplies a signal expressing the envelope to a multiplier. The extracted envelope signal is multiplied to the musical tone signal by a multiplier after a predetermined timing has been past. In other case, the extracted envelope signal is mixed with a synthe-envelope signal at a desired ratio, thereafter the mixed envelope signal is imparted to the musical tone signal by multiplying processing.

Abstract: Stringed instrument pickup and active switching circuitry that provide improvements in pickup sound combination, hum rejection and overall electronic function. The circuit employs plural pickups, a selected combination of which may be selected by a rotary switch. A latching device controlled by the switch outputs then produces a combination of control outputs to energize selected different FET switching devices to enable pickup signal outputs. Combined pickup signal outputs are then mixed and buffer amplified in a final output stage.

Abstract: A distortion synthesizer, having a first distortion circuit, a tone control circuit for altering the tonality of the first distorted signal and a second distortion circuit for introducing harmonics into said tone controlled signal. At least one of the distortion circuits introduces harmonics without clipping. The second distortion circuit also for clips the resultant signal as a function of said resultant signal. The first distortion circuit limits and introduces even harmonics, preferrably predominantly second harmonics. The second distortion circuit introduces odd harmonics, preferrably by predominantly third harmonics, prior to clipping, and also compress the signal. The distortion circuits include a variable gain stage which increases with increased input using a plurality of switches which progressively add parallel resistors to progressively increase output current. A circuit simulating transformer saturation is also provided in the second distortion circuit.