Abstract: In an electrical tone generator apparatus is provided for automatically selecting one of a library of chord types which is closest to a chord fingered on a fretted string instrument. The closest decision is made by processing the fingered fret input data by a set of matched filters each of which corresponds to a member of the library of chord types. The chord type decision is made to correspond to the matched filter producing the maximum output response. The selection between chord types yielding equal responses is resolved by priority logic based upon the frequency of chord usage. A root note is chosen for each chord type. Note keying data is generated from the selected chord types which is transposed to the correct musical pitches in response to the chosen root note. The note keying data is grated by an automatic rhythm generator and the output is used to actuate electronic musical tone generators.

Abstract: A means for controlling special musical effects in synchronism with picking a string of a stringed musical instrument by a pick. More specifically, the disclosure describes a means whereby a signal generated as a result of a pick breaking contact with a string of the stringed instrument initiates a special musical effect. The special musical effect may alter the output of a pick-up generated by vibration of the strings, or may be independent of string vibration and merely initiated by the pick breaking contact with the string. Also, disclosed is a pick having a conductive portion and a nonconductive portion so that picking a string by the conductive portion initiates a special musical effect and picking the string by the nonconductive portion results in the instrument operating in a conventional manner without the special musical effect.

Abstract: A musical keyboard instrument is disclosed for recording and storing a musical performance and then automatically playing back the performance. As is conventional, a keyboard having a plurality of keys is provided, along with musical tone generators that are associated with the keys. In accordance with the disclosed invention, means are provided for sensing, at a sensing time, those of the keys which are activated. A sequence of frames are generated, each frame including digital information representative of the keys that are activated at a given sensing time. The duration of each frame is a function of the relative locations of the keys activated at a given sensing time, and is therefore a duration which can vary from frame to frame. Each sensing time is determined by the previously completed frame, i.e., when a frame is complete, the statuses of the keys are again sensed so that the next frame can be generated. The sequences of frames are stored on magnetic tape.

Abstract: An electrical string-instrument having a plurality of conductive strings, a support member stretching the strings, electromechanical transducers respectively corresponding to the strings, magnetic field generating means for generating a constant magnetic field to cover therewith the strings, an electrical circuit for producing feedback signals from the outputs of the electromechanical transducers, and feedback signal supply means for supplying the feedback signals to flow feedback currents in the strings, and vibrate continuously in cooperation with the magnetic field.

Abstract: Disclosed is an electronic musical instrument resembling a guitar that is played like a guitar and sounds like a guitar; however, it is stringless and has a plurality of flexible actuator blade type members which are mounted on edge and are adapted to be strummed or picked. Flexing of each actuator blade in either direction closes one or more leaf type switches which controls the amplified output of an electronic oscillator whose fundamental operating frequency is further varied in accordance with finger actuation of a plurality of fret-board switches. Although the invention in its preferred embodiment is directed to a guitar-like instrument, it is also applicable to other types and classes of musical string instruments such as a violin.

Abstract: A musical instrument comprising a keyboard and related controls (i.e., foot pedals, stops or equivalent controls), which through electronic circuitry remotely direct the mechanical manipulation of taut strings of guitar gauge, enabling the keyboard musician to create the many sounds characteristic of the electric guitar. Apart from the mechanical apparatus engaged with the strings, this invention relates, to a large extent, to the employment and design of the controlling electronic circuitry.

Abstract: A method of playing a stringed musical instrument of the guitar family by tapping the strings. The musical instrument has, for example, a fretted fingerboard, a plurality of tensioned strings and string tensioning means, sound amplifying means; there is a first group of melody tuned strings and a second group of bass and chord strings. The strings of the first group are tapped by the fingers of the right hand and the strings of the second group are tapped by the fingers of the left hand. The fingers of both hands are used to tap bass, chords and melody simultaneously.

Abstract: An electrical string-instrument having a plurality of strings, a support member stretching the strings, electromechanical transducers respectively corresponding to the strings, a plurality of gate means for gating the outputs from the electromechanical transducers or signals based thereon, and gate signal generating means.

Abstract: A floor mounted electric bass instrument which generates a musical signal in response to depression of one of its strings against an appropriate fret. The instrument is compact, yet it provides structure for spacing the strings a substantial distance apart to permit quick and convenient selection and depression of a desired string by a relatively large or blunt portion of the musician's foot while avoiding operative contact with adjacent strings.

Abstract: A guitar containing fiber optic strands extending through the neck to conduct light from a source located in the body to fret markers on the fretted surface of the neck and the side surface facing the guitarist, thereby allowing the instrument to be played in the dark and producing a pleasing aesthetic affect.