Abstract: Scalable image compression is exploited to facilitate the creative process in the post-production of motion pictures. Specifically, digital intermediate (DI) processing of motion pictures is enabled by dynamically rendering proxies 126 (steps 122, 124, 128) in response to client requests (steps 116, 118). A DI application is designed to enhance the efficiency of post-processing and the quality of the work product of the editors, colorists and other creative people. The DI application also provides a method for efficiently formatting the product for film, digital cinema, DVD and other video applications.

Abstract: A method for compressing audio input signals to form a master bit stream that can be scaled to form a scaled bit stream having an arbitrarily prescribed data rate. A hierarchical filterbank decomposes the input signal into a multi-resolution time/frequency representation from which the encoder can efficiently extract both tonal and residual components. The components are ranked and then quantized with reference to the same masking function or different psychoacoustic criteria. The selected tonal components are suitably encoded using differential coding extended to multichannel audio. The time-sample and scale factor components that make up the residual components are encoded using joint channel coding (JCC) extended to multichannel audio. A decoder uses an inverse hierarchical filterbank to reconstruct the audio signals from the tonal and residual components in the scaled bit stream.

Abstract: A lossless audio codec segments audio data within each frame to improve compression performance subject to a constraint that each segment must be fully decodable and less than a maximum size. For each frame, the codec selects the segment duration and coding parameters, e.g., a particular entropy coder and its parameters for each segment, that minimizes the encoded payload for the entire frame subject to the constraints. Distinct sets of coding parameters may be selected for each channel or a global set of coding parameters may be selected for all channels. Compression performance may be further enhanced by forming M/2 decorrelation channels for M-channel audio. The triplet of channels (basis, correlated, decorrelated) provides two possible pair combinations (basis, correlated) and (basis, decorrelated) that can be considered during the segmentation and entropy coding optimization to further improve compression performance.

Abstract: In a motion picture subtitle system a shutter such as a mechanical dowser, LCLV, or E/O diffuser is inserted in the optical path between the supplemental projector and the motion picture screen and synchronized to the projection of the subtitles to reduce visual artifacts and enhance the cinematic presentation. A controller is arranged to receive the subtitles from a storage medium, to provide the subtitles to the supplemental projector in synchronism with the projection of the motion picture, and to alternately cause the shutter to pass the modulated light beam during an “on” state in synchronism with the motion picture so the subtitles are superimposed at desired times on desired portions of the motion picture and cause the shutter to attenuate the light beam during an “off” state.