Abstract: A method and apparatus are disclosed to permit real time, distributed acoustic performance by multiple musicians at remote locations. The latency of the communication channel is reflected in the audio monitor used by the performer. This allows a natural accommodation to be made by the musician. Simultaneous remote acoustic performances are played together at each location, though not necessarily simultaneously at all locations. This allows locations having low latency connections to retain some of their advantage. The amount of induced latency can be overridden by each musician. The method preferably employs a CODEC able to aesthetically synthesize packets missing from the audio stream in real time.

Abstract: A method and apparatus are disclosed for providing a virtual auditorium for a remote, live performance to a remote, distributed audience, wherein the performers receive the reaction of the audience members in substantially real time. The live performance can itself be distributed geographically, as taught in the prior art, and may be multimedia in nature, for example audio (monophonic, stereo, or multi-channel) can be augmented by images, video, MIDI, text (e.g., commentary, lyrics), etc. Further, the distributed audience members can receive each other's reaction, also in substantially real time, whereby the virtual auditorium is created wherein the distributed audience members constitute a virtual assembly. The same virtual auditorium, sans performers, can be used as a venue to conduct a conference call of arbitrary size without the expense of a central voice bridge.

Abstract: A method and apparatus are disclosed to permit real time, distributed acoustic performance by multiple musicians at remote locations. The latency of the communication channel is reflected in the audio monitor used by the performer. This allows a natural accommodation to be made by the musician. Simultaneous remote acoustic performances are played together at each location, though not necessarily simultaneously at all locations. This allows locations having low latency connections to retain some of their advantage. The amount of induced latency can be overridden by each musician. The method preferably employs a CODEC able to aesthetically synthesize packets missing from the audio stream in real time.

Abstract: An improved method and apparatus are disclosed to permit real time, distributed performance by multiple musicians at remote locations, and for recording that collaboration. The latency of the communication channel is transferred to the behavior of the local instrument so that a natural accommodation is made by the musician. This allows musical events that actually occur simultaneously at remote locations to be played together at each location, though not necessarily simultaneously at all locations. This allows locations having low latency connections to retain some of their advantage. Artifacts resulting from an unreliable communication channel, for instance dropouts and jitter, are eliminated in the recorded performance. Limitations of communications bandwidth are managed in real time, with full fidelity restored in the recording.

Abstract: A method and apparatus are disclosed that test the configuration of routers and firewalls interposed between a computer on which an application runs and a network, and determine if the configuration is suitable for the application to operate correctly. When the configuration is not correct, appropriate advice is given.

Abstract: A method and apparatus are disclosed to permit real time, distributed performance by multiple musicians at remote locations. The latency of the communication channel is transferred to the behavior of the local instrument so that a natural accommodation is made by the musician. This allows musical events that actually occur simultaneously at remote locations to be played together at each location, though not necessarily simultaneously at all locations. This allows locations having low latency connections to retain some of their advantage. The amount of induced latency can be overridden by each musician.