Abstract: In a computerized film (digital camera action) production system, a virtual director module takes responsibility for creating sets, and enabling cinematography by creating a synthetic parallax matching of a “set” image to what would have existed before a camera in real motion about the physical location represented. This overcomes failures typical of “green screen” technology in dealing with such conditions as shallow depth of field and low light. Computer generated, synthetic sets from a 3D animator may be projected behind real actors during or after filming. Sythetic sets are seen through a virtual camera as photo-realistic because they are skinned with textures, and structured geometrically, to match reality represented by actual still photography of a physical environment, such as buildings, walls, streets, landscapes, props, and the like.