Abstract: Apparatus for eliminating feedback in stage monitors for selected musical instruments includes filter networks for attenuation of a broad frequency range including the entire range of frequencies contributing to the feedback. A combination of high order low-pass and high-pass filters is used to pass fundamental and second order components of a selected instrument, while attenuating the undesired feedback frequencies as well as extremely low range frequencies capable of damaging a speaker. A pair of passbands is provided, and a pair of frequency bands is suppressed, the two pairs providing alternate attenuation and pass-bands. Active filters having operational amplifiers and frequency selective circuits are used, along with buffering and summing circuits, to attain the desired frequency characteristic.

Abstract: A circuit for limiting transient intermodulation distortion in a amplifier system including an operational amplifier having a gain stage and a feedback network connected between the gain stage and the amplifier feedback port together with a pair of oppositely poled diodes, connected in parallel and coupled by means of capacitors between the amplifier output port and feedback port to limit the operational amplifier going to the supply rails under non-linear conditions thereby reducing the slew rate recovery time and therefore the amount of transient intermodulation distortion.

Abstract: Disclosed herein is a new and unique type of circuit control for an electric guitar. Simply stated, it varies the resonant frequency of the pickup itself in addition to filtering out frequencies which are suppressed or rolled off. The mechanism by which this is brought about includes a potentiometer connected to a center tap of the coil assembly.