Abstract: A system that enables a group to collaborate to capture and share media for an event. An organizer defines the time and location of an event, which establishes a geofence around the event area. Each event participant uses a mobile application that coordinates communication and sharing. The participants' devices form a mesh network with peer-to-peer links, for example over Bluetooth or Wi-Fi. Media, such as photos or videos, captured by a participant are shared over the mesh network. To accommodate low bandwidth peer-to-peer links, reduced-size media, such as thumbnails, may be shared. Participants may exchange messages and update peers on their locations. Locations may be determined using GPS, or by correlating camera images and 3D sensor data with a model of the event area. Media may be uploaded to a server and curated to form integrated media records of the event, such as a highlight reel or news feed.

Abstract: The system enables conversion of black and white images to color images and/or two-dimensional images into three-dimensional images based on adding color and/or depth to images using masks for regions in the images, as well as reshaping of masks to cover objects that have moved and changed shape as the objects move in a sequence of images. Also, includes motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: A system that enables a group to collaborate to capture and share media for an event. An organizer defines the time and location of an event, which establishes a geofence around the event area. Each event participant uses a mobile application that coordinates communication and sharing. The participants' devices form a mesh network with peer-to-peer links, for example over Bluetooth or Wi-Fi. Media, such as photos or videos, captured by a participant are shared over the mesh network. To accommodate low bandwidth peer-to-peer links, reduced-size media, such as thumbnails, may be shared. Participants may exchange messages and update peers on their locations. Locations may be determined using GPS, or by correlating camera images and 3D sensor data with a model of the event area. Media may be uploaded to a server and curated to form integrated media records of the event, such as a highlight reel or news feed.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: The system enables conversion of black and white images to color images and/or two-dimensional images into three-dimensional images based on adding color and/or depth to images using masks for regions in the images, as well as reshaping of masks to cover objects that have moved and changed shape as the objects move in a sequence of images. Also, includes motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: The system enables conversion of black and white images to color images and/or two-dimensional images into three-dimensional images based on adding color and/or depth to images using masks for regions in the images, as well as reshaping of masks to cover objects that have moved and changed shape as the objects move in a sequence of images. Also, includes motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: The system enables conversion of black and white images to color images and/or two-dimensional images into three-dimensional images based on adding color and/or depth to images using masks for regions in the images, as well as reshaping of masks to cover objects that have moved and changed shape as the objects move in a sequence of images. Also, includes motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: A line depth augmentation system and method for conversion of 2D images to 3D images. Enables adding depth to regions by altering depth of lines in the regions, for example in cell animation images or regions of limited color range. Eliminates creation of wireframe or other depth models and complex modeling of regions to match the depth of lines therein. Enables rapid conversion of two-dimensional images to three-dimensional images by enabling stereographers to quickly add/alter line depth without artifacts in images for example lines in monochrome regions. Embodiments may output a stereoscopic image pair of images with lines having desired depth, or any other three-dimensional viewing enabled image, such as an anaglyph image. Although the lines may be of a different depth than the region they appear in, the human mind interprets the monochromatic region as having depth associated with the line.

Abstract: Motion picture scenes to be colorized/depth enhanced (2D?3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background, translucent, motion objects.

Abstract: A line depth augmentation system and method for conversion of 2D images to 3D images. Enables adding depth to regions by altering depth of lines in the regions, for example in cell animation images or regions of limited color range. Eliminates creation of wireframe or other depth models and complex modeling of regions to match the depth of lines therein. Enables rapid conversion of two-dimensional images to three-dimensional images by enabling stereographers to quickly add/alter line depth without artifacts in images for example lines in monochrome regions. Embodiments may output a stereoscopic image pair of images with lines having desired depth, or any other three-dimensional viewing enabled image, such as an anaglyph image. Although the lines may be of a different depth than the region they appear in, the human mind interprets the monochromatic region as having depth associated with the line.

Abstract: Multi-stage production pipeline system that may be utilized in conjunction with a motion picture project management system. The multi-stage production pipeline system includes a computer and a database. The database includes metadata associated with at least one shot or associated with regions within the plurality of images in the at least one shot, or both. The computer includes a grouping tool interface for presenting user interface elements and accepting input of the metadata associated with the at least one shot or regions within the plurality of images in the at least one shot, or both. The system enables a large studio workforce to work non-linearly on a film while maintaining a unified vision driven by key creative figures, allowing for more consistent, higher quality, faster, less expensive work product and more efficient project management techniques. The system also enables reuse of project files, masks and other production elements across projects.

Abstract: Motion picture scenes to be colorized/depth enhanced (2D->3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects.

Abstract: Motion picture scenes to be colorized/depth enhanced (2D->3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects.

Abstract: Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion.