Abstract: Methods and corresponding apparatuses for transmitting and receiving audio signals are described. A transformation is performed on the audio signals in units of frame in order to obtain transformed audio data of each frame, said transformed audio data consisting of multiple signal components in the frequency domain. These signal components of each frame are distributed into multiple adjacent packets in order to generate packets in which signal components distributed from multiple frames are interleaved. Subsequently, the generated packets are transmitted. Accordingly, in case that packet loss occurs during transmission, the audio signals can be recovered based on the received signal components without consuming additional bandwidth. Therefore, robustness against packet loss can be achieved with little overhead.

Abstract: An audio processing method and apparatus are described. In one embodiment, at least one first sub-band of a first audio signal is suppressed to obtain a reduced first audio signal with reserved sub-bands; suppressing at least one second sub-band of the at least one second audio signal to obtain at least one reduced second audio signal with reserved sub-bands; and mixing the reduced first audio signal and at least one reduced second audio signal. Alternatively, a first spatial auditory property is assigned to a first audio signal so that the first audio signal may be perceived as originating from a first position. Alternatively, rhythmic similarity between at least two audio signals is detected, and time scaling is applied to an audio signal in response to relatively high rhythmic similarity between the audio signal and the other audio signal(s); and then at least two audio signals are mixed.

Abstract: Embodiments for estimating nonlinear distortion and for tuning parameter(s) for boosting sounds are described. A test signal including at least two simultaneous audible tones is generated. One tone is a fundamental tone and others are harmonics of the fundamental tone. The ratio of the number of nonlinear distortion products not coincident with the frequencies of the tones to the number of all the products is, as an example, greater than 0.80. A spectral analysis is performed on the response of a loudspeaker to the test signal. A nonlinear distortion value is estimated by regarding the energy at harmonic frequencies of the fundamental tone signal but not at the frequencies of the tone signals as contribution from the nonlinear distortion. A subjectively correlated measure of nonlinear distortion is obtained for tuning a parameter for boosting low frequency outputs of one or more loudspeakers.

Abstract: An audio processing method and an audio processing apparatus are described. A mono-channel audio signal is transformed into a plurality of first subband signals. Proportions of a desired component and a noise component are estimated in each of the subband signals. Second subband signals corresponding respectively to a plurality of channels are generated from each of the first subband signals. Each of the second subband signals comprises a first component and a second component obtained by assigning a spatial hearing property and a perceptual hearing property different from the spatial hearing property to the desired component and the noise component in the corresponding first subband signal respectively, based on a multi-dimensional auditory presentation method. The second subband signals are transformed into signals for rendering with the multi-dimensional auditory presentation method.

Abstract: An audio processing method and apparatus are described. In one embodiment, at least one first sub-band of a first audio signal is suppressed to obtain a reduced first audio signal with reserved sub-bands; suppressing at least one second sub-band of the at least one second audio signal to obtain at least one reduced second audio signal with reserved sub-bands; and mixing the reduced first audio signal and at least one reduced second audio signal. Alternatively, a first spatial auditory property is assigned to a first audio signal so that the first audio signal may be perceived as originating from a first position. Alternatively, rhythmic similarity between at least two audio signals is detected, and time scaling is applied to an audio signal in response to relatively high rhythmic similarity between the audio signal and the other audio signal(s); and then at least two audio signals are mixed.

Abstract: An audio processing method and an audio processing apparatus are described. A mono-channel audio signal is transformed into a plurality of first subband signals. Proportions of a desired component and a noise component are estimated in each of the subband signals. Second subband signals corresponding respectively to a plurality of channels are generated from each of the first subband signals. Each of the second subband signals comprises a first component and a second component obtained by assigning a spatial hearing property and a perceptual hearing property different from the spatial hearing property to the desired component and the noise component in the corresponding first subband signal respectively, based on a multi-dimensional auditory presentation method. The second subband signals are transformed into signals for rendering with the multi-dimensional auditory presentation method.

Abstract: Methods and corresponding apparatuses for transmitting and receiving audio signals are described. A transformation is performed on the audio signals in units of frame in order to obtain transformed audio data of each frame, said transformed audio data consisting of multiple signal components in the frequency domain. These signal components of each frame are distributed into multiple adjacent packets in order to generate packets in which signal components distributed from multiple frames are interleaved. Subsequently, the generated packets are transmitted. Accordingly, in case that packet loss occurs during transmission, the audio signals can be recovered based on the received signal components without consuming additional bandwidth. Therefore, robustness against packet loss can be achieved with little overhead.

Abstract: Embodiments for estimating nonlinear distortion and for tuning parameter(s) for boosting sounds are described. A test signal including at least two simultaneous audible tones is generated. One tone is a fundamental tone and others are harmonics of the fundamental tone. The ratio of the number of nonlinear distortion products not coincident with the frequencies of the tones to the number of all the products is, as an example, greater than 0.80. A spectral analysis is performed on the response of a loudspeaker to the test signal. A nonlinear distortion value is estimated by regarding the energy at harmonic frequencies of the fundamental tone signal but not at the frequencies of the tone signals as contribution from the nonlinear distortion. A subjectively correlated measure of nonlinear distortion is obtained for tuning a parameter for boosting low frequency outputs of one or more loudspeakers.