Abstract: The semi-hollow body for stringed instruments includes a plurality of resonance-enhancing baffle pairs, each resonance-enhancing baffle pair having a bifurcated prong shape, similar to a tuning fork. The resonance-enhancing baffle pairs extend from an interior peripheral area of the instrument body and create various combinations of baffled and un-baffled regions in a resonance chamber of the semi-hollow body. A solid, central core region separates an upper resonance chamber from a lower resonance chamber. Alternatively, individual resonance enhancing baffles shaped like reeds are disposed inside the instrument body. The semi-hollow body for stringed instruments can be adapted for guitars, violins, mandolins, ukuleles, or the like, and provides a rich, resonant tone to the instrument while avoiding acoustic feedback problems associated with hollow body instruments. Front and back plates cover front and back portions of the body to give it a solid body look and feel.

Abstract: The semi-hollow body for stringed instruments includes a plurality of resonance-enhancing baffle pairs, each resonance-enhancing baffle pair having a bifurcated prong shape, similar to a tuning fork. The resonance-enhancing baffle pairs extend from an interior peripheral area of the instrument body and create various combinations of baffled and un-baffled regions in a resonance chamber of the semi-hollow body. A solid, central core region separates an upper resonance chamber from a lower resonance chamber. Alternatively, individual resonance enhancing baffles shaped like reeds are disposed inside the instrument body. The semi-hollow body for stringed instruments can be adapted for guitars, violins, mandolins, ukuleles, or the like, and provides a rich, resonant tone to the instrument while avoiding acoustic feedback problems associated with hollow body instruments. Front and back plates cover front and back portions of the body to give it a solid body look and feel.