Abstract: Reverberation techniques for 3D audio are disclosed. In an example method, a three-dimensional (3D) reverberation is applied to a sound object placed at a sound object position in a sound room. The sound object originates from a sound object position. A sound object signal is received. A 3D spatial room response (SRR) signal is computed corresponding to the user-selected position. A time convolution operation is performed between an audio signal of the sound object signal and the computed SRR value to generate a reverberated signal.

Abstract: Reverberation techniques for 3D audio are disclosed. In an example method, a three-dimensional (3D) reverberation is applied to a sound object placed at a sound object position in a sound room. The sound object originates from a sound object position. A sound object signal is received. A 3D spatial room response (SRR) signal is computed corresponding to the user-selected position. A time convolution operation is performed between an audio signal of the sound object signal and the computed SRR value to generate a reverberated signal.

Abstract: The loudspeaker enclosure (10) comprises a central channel (16) turned toward the listener, and left and right side channels (18L, 18R) oriented perpendicular to each other. The signal to be reproduced is separated into: i) a mono component correlated between the left and right signals; ii) left and right surround components decorrelated between the left and right signals; iii) a left component decorrelated between the mono component ant the left signal; and iv) a right component decorrelated between the mono component ant the right signal. The central channel and the side channels are piloted by combinations of these components according to a distribution that is a function of the mode of use of the loudspeaker enclosure, alone in front of a listener and as a pair in association with another similar loudspeaker enclosure, the two loudspeaker enclosures being arranged on the left and on the right of the listener.

Abstract: The method comprises the steps of: filtering the audio signal by means of a lowpass filter (101) with a cutoff frequency substantially equal to said cutoff frequency (F0) of the sound playback device; determining a fundamental frequency for reconstituting from the lowpass filtered audio signal; and generating a harmonic signal (Sharm) associated with said fundamental frequency to be reconstituted. It also comprises the steps of: detecting a time envelope (env(t)) of the lowpass filtered audio signal; adapting the dynamic range of said time envelope (env(t)) as a function of the frequency band under consideration; and reinjecting said harmonic signal in phase into said audio signal by addition after multiplying said harmonic signal (Sharm) with the adapted time envelope (envadapt(t)).

Abstract: The method comprises the steps of: filtering the audio signal by means of a lowpass filter (101) with a cutoff frequency substantially equal to said cutoff frequency (F0) of the sound playback device; determining a fundamental frequency for reconstituting from the lowpass filtered audio signal; and generating a harmonic signal (Sharm) associated with said fundamental frequency to be reconstituted. It also comprises the steps of: detecting a time envelope (env(t)) of the lowpass filtered audio signal; adapting the dynamic range of said time envelope (env(t)) as a function of the frequency band under consideration; and reinjecting said harmonic signal in phase into said audio signal by addition after multiplying said harmonic signal (Sharm) with the adapted time envelope (envadapt(t)).