Abstract: A method for re-mapping out of gamut colors into a display device color space. The method includes determining a maximum color gamut of the display device in a perceptual color space that represents the combination of hue, lightness and saturation; and determining if a target color is out of gamut for the display device. Accordingly, an out of gamut target color is provided. One may then obtain a hue angle for the out of gamut target color. Using the hue angle, one determines the lightness value of the out of gamut target color. Subsequently, one would hold the one holding the hue angle constant, altering the lightness and saturation, as necessary to bring the out of gamut target color into the display device color space.

Abstract: A method for communicating and preserving creative intent within a motion picture production chain, including a production stage, and at least one of a subsequent laboratory or post production stage, including capturing an original image of a scene during the production stage; generating a look representative of a creative intent, wherein the look is a digital representation of a creative alteration of the captured original scene image; and applying the look to the captured original scene image and confirming approval of the look during the production stage. The digital representation of the look is stored as a recipe for generating the creative alteration, and communicated from the production stage to at least one of the subsequent laboratory and post-production stages for applying the look to the captured motion picture footage during subsequent laboratory and post-production stages.

Abstract: A method for communicating and preserving creative intent within a motion picture production chain, including a production stage, and at least one of a subsequent laboratory or post production stage, including capturing an original image of a scene during the production stage; generating a look representative of a creative intent, wherein the look is a digital representation of a creative alteration of the captured original scene image; and applying the look to the captured original scene image and confirming approval of the look during the production stage. The digital representation of the look is stored as a recipe for generating the creative alteration, and communicated from the production stage to at least one of the subsequent laboratory and post-production stages for applying the look to the captured motion picture footage during subsequent laboratory and post-production stages.