Abstract: An improved cinematographic system and method for multiple compositing, within a virtual studio, of an image frame or image sequence of a real/action image of an action sequence of a puppet, with another image frame or image sequence of a real/action image of the same or another puppet, within a given virtual studio space. This system and method have application to the compositing of a master camera angle image and a close-up image of the same puppet character; and, to the compositing of a master camera angle image of one action puppet character with a second image from another camera angle of another puppet action character, so as to provide an interactive image sequence of each of the characters of each image within the same image frame.

Abstract: An improved method for enhanced puppetry or similar types of performances utilizing a virtual set having a key-color screen behind the set to do live action filming. All objects on the set, except for the performing puppet, or other objects which are to appear in the final product, are wrapped in a material which matches the color of the keycolor screen. A virtual background is generated and combined with the live action whereby only the puppet (or other object) appears on the virtual background in real time, with all other objects on the live set, including puppeteers, for example, being eliminated from the final product.

Abstract: An improved method for enhanced puppetry or similar types of performances utilizing a virtual set having a key-color screen behind the set to do live action filming. All objects on the set, except for the performing puppet, or other objects which are to appear in the final product, are wrapped in a material which matches the color of the key-color screen. A virtual background is generated and combined with the live action whereby only the puppet (or other object) appears on the virtual background in real time, with all other objects on the live set, including puppeteers, for example, being eliminated from the final product.

Abstract: An improved cinematographic system and method for multiple compositing, within a virtual studio, of an image frame or image sequence of a real/action image of an action sequence of a puppet, with another image frame or image sequence of a real/action image of the same or another puppet, within a given virtual studio space. This system and method have application to the compositing of a master camera angle image and a close-up image of the same puppet character; and, to the compositing of a master camera angle image of one action puppet character with a second image from another camera angle of another puppet action character, so as to provide an interactive image sequence of each of the characters of each image within the same image frame.

Abstract: An improved method for enhanced puppetry or similar types of performances utilizing a virtual set having a key-color screen behind the set to do live action filming. All objects on the set, except for the performing puppet, or other objects which are to appear in the final product, are wrapped in a material which matches the color of the keycolor screen. A virtual background is generated and combined with the live action whereby only the puppet (or other object) appears on the virtual background in real time, with all other objects on the live set, including puppeteers, for example, being eliminated from the final product.

Abstract: An improved cinematographic system for creation of a film and/or video productions wherein the action figures are puppets controlled by rods, manipulated by puppeteers, on a virtual production set. In the system and method of this invention, one or more production set props are positioned within the studio set between the puppeteers and the puppet. In order to avoid puppeteer cross of the set props while manipulation of the puppet, one or more real production set props, or components of real production set props, are key-colored to a background screen of the virtual production set, and thereby initially eliminated from the cinematographic reproduction of the real/action images of the action figures on the set. Thereafter, the real/action image is composited with at least one virtual image (virtual image of the production set prop and a virtual image of a background scene of the real/action image) to complete the cinematographic composition.