Abstract: An audio-visual editing system includes a universal slave driver (USD) coupled between a timecode-producing device, such as a video tape deck, and a digital audio workstation (DAW). The USD includes a sample counter for counting the audio samples for each timecode frame, and a timecode reader to interpret the tape's location. An audio board of the digital audio workstation includes an identical sample counter. Both counters are driven from a common clock. A serial interface connection couples the digital audio workstation to the universal slave driver. One of the handshaking pins of the serial interface connection is used as a dedicated reset pin. When the dedicated reset pin is pulsed, the running sample counters in both the USD and DAW are set to a common value, typically zero. Resetting the sample counters at precisely the same time ensures that the DAW and the USD are operating in synchronization.

Abstract: An audio-visual editing system includes a universal slave driver (USD) coupled between a timecode-producing device, such as a video tape deck, and a digital audio workstation (DAW). The USD includes a sample counter for counting the audio samples for each timecode frame, and a timecode reader to interpret the tape's location. An audio board of the digital audio workstation includes an identical sample counter. Both counters are driven from a common clock. A serial interface connection couples the digital audio workstation to the universal slave driver. One of the handshaking pins of the serial interface connection is used as a dedicated reset pin. When the dedicated reset pin is pulsed, the running sample counters in both the USD and DAW are set to a common value, typically zero. Resetting the sample counters at precisely the same time ensures that the DAW and the USD are operating in synchronization.