Abstract: Motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Movies to be colorized/depth enhanced (2D?3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D?3D conversion.

Abstract: Motion picture project management system for reviewers, coordinators and artists. Artists utilize image analysis and image enhancement and computer graphics processing for example to convert two-dimensional images into three-dimensional images or otherwise create or alter motion pictures. Enables the efficient management of projects related to motion pictures to enable enterprises to manage assets, control costs, predict budgets and profit margins, reduce archival storage and otherwise provide displays tailored to specific roles to increase worker efficiency.

Abstract: Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion.