Abstract: A method for graphically displaying on a display device, a musical note in a range of notes within an octave, in a range of octaves. The method including, determining the display attributes of a reference octave selected from the range of octaves, receiving a musical note, generating a representation of the received musical note using a note position of the received note in an octave and a relative octave position to the reference octave, and sending the representation for graphical display. A system is also disclosed.

Abstract: An electronic musical instrument displays a musical score including lyric character strings on a displayer 21, using music data stored in a storage device 43, by program-processing by a computer main unit 42. The music data includes a series of data representative of a lyric character string separated by break of lyrics, word, or segment of a sentence, the series of data stored in associated relation with data representative of a timing indicative of progression of a musical piece. The computer main unit 42 displays, on the displayer 21, a lyric character string which is not provided with enough display space in a display style different from a display style used for a lyric character string provided with enough display space. For example, part or the whole of characters of either of adjacent overlapping character strings is omitted, with a mark representative of being omitted attached. Alternatively, part or the whole of a preceding character string is displayed in a reduced size or in rows.

Abstract: Based on music performance data, music score display data are composed for displaying a music score representing the music performance. A user inputs his/her musical skill to the apparatus. Referring to a musical skill level versus music score item correspondence table, music score items to be exhibited in the music score are determined to meet the musical skill as inputted by the user, and are included in the composed music score display data. Thus, a music score containing assisting as well as necessary detailed musical signs and indications which meet the user's musical skill will be displayed in addition to the main musical notation of the note progression.

Abstract: A process for converting standard musical notes to Ra format musical notes comprising inputting a signal of standard musical notes, analyzing the frequency of each note in the signal, selecting a Ra format natural harmonic resonance, converting the frequency of each note in the signal to a Ra format frequency corresponding to the selected Ra format natural harmonic resonance, and outputting a signal consisting of the converted notes. A apparatus including a processor capable of performing the inventive process on a signal of standard musical notes. The apparatus including a signal input port and a signal output port, means for converting the frequency of standard musical notes to a corresponding frequency of Ra musical notes, means for selecting a Ra format natural harmonic resonance, and a frequency analyzer.

Abstract: A workstation system produces a display presentation of a selected performance composition (e.g., a musical composition) responsive to composition data and responsive to one or both of input variables and a selected operating mode. The workstation can communicate with one or more external devices, such as other workstations, etc. The display system provides for selection of original compositions, creation of derivative compositions, distribution of compositions, monitoring of each performer's performance, group virtual performances, and for local and distributed retrieval and editing, which for music includes things such as changing keys, pitch, tempo, and other parameters. The musical composition's transformation can be performed locally or at the central or distributed music database. The musical composition data can be transposed via a controller, and can be transmitted to a plurality of the individual workstations that then display the musical composition.

Abstract: A colored music notation system and a method of colorizing music notation using seven colors that are easily distinguishable from one another, representing the seven unique notes in an octave. The color of a note may be chosen from a list of colors in CMYK format, with a tolerance of plus or minus ten points, preferably plus or minus five points in attributes for any of the colors. The colors may be reproduced by any printing method, including using a conventional personal computer. The colors are easily reproducible within acceptable tolerances on a wide variety of media and with a range of printing options, can be read under various lighting conditions, and do not make written music unpleasant to the eye. The colors are also sufficiently different to allow for easy recognition of common chord combinations by the recollection of simple groups of colors. In the preferred embodiment of the invention, notes affected by an accidental are the same color as the natural note to which they are related.

Abstract: An integrated system and software package for creating and performing a musical score including a user interface that enables a user to enter and display the musical score, a database that stores a data structure which supports graphical symbols for musical characters in the musical score and performance generation data that is derived from the graphical symbols, a musical font that includes a numbering system that corresponds to the musical characters, a compiler that generates the performance generation data from the database, a performance generator that reads the performance generation data from the compiler and synchronizes the performance of the musical score, and a synthesizer that responds to commands from the performance generator and creates data for acoustical playback of the musical score that is output to a sound generation device. The synthesizer generates the data for acoustical playback from a library of digital sound samples.

Abstract: A method of music notation with 7 spaces for the notes of the C major scale, with the remaining notes of the 12 tone scale overlapping these spaces. 5 staff lines per octave can be used to show the position of the accidental notes. Distinct colors are assigned to the 12 notes of the scale. Two distinct groups of colors are used, one for coloring the C major notes, the other for coloring the remaining 5 notes of the scale. The spaces representing Cs are marked with a colored shape at the left of the staff and shaded horizontally across the page. The notes are shapes whose width is proportional to their durations. Aids are placed above and below the staff to indicate hand and finger movements. Assembly kits with visual aids are provided. The colors can be used on conventional notation.

Abstract: A unique method of writing keyboard music without the use of traditional lines and staff notation is provided. The method is primarily designed to represent elementary R & B, Jazz and Gospel keyboard music, but is not limited to such. The invention consists of a column with two sides to it within which music played with the right hand is written in the right region of the column, and music played with the left hand is written in the left region of the column. The method is distinguished by very specific easy to learn rules on exactly how certain fundamental keyboard concepts are written using the column. The following keyboard concepts are indexed by the invention. They are: bass notes, piano chords, lone piano notes, sustaining chords, chord alternatives, nipping two piano notes at the same time, keyboard octaves, rhythms, key signatures and tempos and song headings.

Abstract: A system and method for teaching music both visually and tactilely. In one embodiment, the invention comprises blocks shaped to resemble musical symbols used to compose music, including time signatures, notes, rests, and dots. Each of the blocks are relative in thickness such that for a given time signature, the correct rhythm for a given measure can be determined by laying one or more of the notes, rests and dots one over the other to see if their combined thickness is equal to that of a preselected time signature. The thickness of the block shaped to resemble the time signature is such that it only allows the correct number of blocks shaped as notes, rests or dots to be of equal thickness to thereby determine the correct rhythm. In addition, the correct rhythm can be determined by simply reading the shaped blocks as one would read music.

Abstract: A system for relating electromagnetic waves to harmonic sound waves that includes a memory with logic, and a processor configured with the logic to assign one fundamental color of a color spectrum of twelve analogous colors to one of twelve fundamental tones of a musical 5th relationship, wherein the tones are represented by notes, wherein the processor is further configured with the logic to consecutively associate the remaining analogous colors to the tones.

Abstract: An analysis programs, apparatus, and method is provided for analyzing electronic musical scores. The invention relates to analyzing an electronic musical score that designates a desired musical note sequence in electronic musical score data, extracts a musical note sequence similar to the desired musical note sequence, and displays the extracted musical note sequence so as to be distinguishable from other musical notes. The analysis apparatus and program for analyzing the electronic musical designates a designated musical note sequence in the electronic musical score data to be analyzed. A first calculation provides a calculation of the designated differential sequence of the designated musical note sequence and a second calculation calculates differential sequences of the original musical note sequences in the electronic musical score data.

Abstract: A guide is disclosed with vertical numerically color coded lines on it. The guide can then be moved along the space between the keys and the fallboard of the piano, so that the keys can be played by anyone placing their fingers on the keys indicated by the lines on the guide. Sheet music is prepared with numbers and colors juxtaposed to the notes corresponding to the lines, so that the piano student will know which keys to stroke.

Abstract: A colored music notation system and a method of colorizing music notation using seven colors that are easily distinguishable from one another, representing the seven unique notes in an octave. The color of a note may be chosen from a list of colors in CMYK format, with a tolerance of plus or minus ten points, preferably plus or minus five points in attributes for any of the colors. The colors may be reproduced by any printing method, including using a conventional personal computer. The colors are easily reproducible within acceptable tolerances on a wide variety of media and with a range of printing options, can be read under various lighting conditions, and do not make written music unpleasant to the eye. The colors are also sufficiently different to allow for easy recognition of common chord combinations by the recollection of simple groups of colors. In the preferred embodiment of the invention, notes affected by an accidental are the same color as the natural note to which they are related.

Abstract: Disclosed is a system for colorizing music for converting black and white musical scores into colorized musical scores through the use of a method that can be implemented by a computer wherein each whole tone and half tone is assigned a unique color and pattern, respectively, using a septuary system of colors. The unique colors and patterns are applied to piano keyboards, keyboard guides and to other musical instruments. Colorized musical scores in standard format or, alternatively, in a linear format on one or more computer screens or special display devices are displayed for viewing by the musician. The musical instruments are colored according to the musical score notes to facilitate playing of music.

Abstract: An electronic music display device having a scanning device for inputting music score image data from a printed musical score. A memory device receives and stores the inputted music score image data. The data is segregated into sections and a performance sequence is programmed whereby a performer can program repeats and forward or backward skips in the music score image data. A display displays at least two pages of the music score image data. An actuator is manipulated by the performer to progress the display to display the sections in accordance with the sequence. Upon each manipulation of the actuator a pre-programmed part of the musical score is displayed. The performer is thus able to smoothly progress between pages of the score, repeat previously preformed parts, and skip to a different part of the score by merely pressing the actuator.

Abstract: A computer assisted apparatus and a method are provided that represents and describes a musical work in a graphical way, and using outboard devices or the computer keys and mouse, permits experimentation with musical ideas. Musical devices such as fills, suspensions, bends, overall structure, chord sequences, phrases, degrees of consonance and dissonance and melodic motifs and other musical constructions are visualised. In this way, manipulation and experimentation is accessible and an ordered method is provided to musical invention. Operators can build their own library of ideas as well as manipulate and experiment with ideas gathered from other sources. Playback would employ a musical synthesiser. These ideas so attained, when given life through the operator's personal musical style and voice, become integrated with the mental processes in the usual method of acquired musical language. Empowering the functionality of this invention is a unique view of music theory.

Abstract: An electronic instrument for displaying musical notes on a monitor or screen with colors selected from a color palette created by an artist/musician for each note as selected shapes at selected locations on the monitor or screen.

Abstract: The present invention provides a system for music notation, and includes a musical staff. The musical staff includes a 20-line grid of horizontal lines and spaces, wherein 10 lines form a treble clef staff portion and 10 lines form a bass clef staff portion. The 10 lines of each staff portion are divided into subportions of 4 lines and 6 lines. The staff may further include a ledger line between the treble clef staff portion and bass clef staff portion, and a ledger line between each subportion of 4 and 6 lines of each staff, wherein the ledger line is adapted to always receive the note C. This eliminates the need for counting multiple ledger lines to decipher notes in a musical composition that are sounded well above the traditional treble or bass staves. The treble clef staff portion may further include a clef that identifies each line and space where the note G may be placed. The bass clef staff portion may further include a clef that identifies each line and space where the note F may be placed.

Abstract: Hindustani music is found to have an additional 22 thatas that can be scientifically and accurately computed. Together with the 10 thatas already identified, these newly identified and compiled thatas make a total 32 thatas. In a further aspect, a raag or melody is constructed by a combination of ascending and descending notes by selecting a thata, and computing a combination including at least 5 ascending or descending notes for the thata. Using this method, new raagas can be created using not only the existing 22 thatas, but also from the 22 newly discovered thatas. Further, new musical instruments can be constructed by applying the newly identified thatas. Students of music may be taught new tunes based on the 32 thatas.

Abstract: Disclosed is a system for colorizing music for converting black and white musical scores into colorized musical scores through the use of a method that can be implemented by a computer wherein each whole tone and half tone is assigned a unique color and pattern, respectively, using a septuary system of colors. The unique colors and patterns are applied to piano keyboards, keyboard guides and to other musical instruments. Colorized musical scores in standard format or, alternatively, in a linear format on one or more computer screens or special display devices are displayed for viewing by the musician. The musical instruments are colored according to the musical score notes to facilitate playing of music.

Abstract: A method of music notation with 7 spaces for the notes of the C major scale, with the remaining notes of the 12 tone scale overlapping these spaces. 5 staff lines per octave can be used to show the position of the accidental notes. Distinct colors are assigned to the 12 notes of the scale. Two distinct groups of colors are used, one for coloring the C major notes, the other for coloring the remaining 5 notes of the scale. The spaces representing Cs are marked with a colored shape at the left of the staff and shaded horizontally across the page. The notes are shapes whose width is proportional to their durations. Aids are placed above and below the staff to indicate hand and finger movements. Assembly kits with visual aids are provided. The colors can be used on conventional notation.

Abstract: A method for teaching stringed instrument students how to play sheet music through the use of colored fingering numbers. This method assists the user in knowing which finger to use on which string as they play instrumental music. It also indicates which position their hand should be in as they play sheet music. Numbers correspond to which finger should be used to play a particular note. Separate, distinctly identifiable colors are assigned to notes that should be played on a particular string in a particular position, and are visually displayed as colored fingering numbers that indicate which string and in which position the user should play the fingered notes on.

Abstract: Hindustani music is found to have an additional 22 thatas that can be scientifically and accurately computed. Together with the 10 thatas already identified, these newly identified and compiled thatas make a total 32 thatas. In a further aspect, a raag or melody is constructed by a combination of ascending and descending notes by selecting a thata, and computing a combination including at least 5 ascending or descending notes for the thata. Using this method, new raagas can be created using not only the existing 22 thatas, but also from the 22 newly discovered thatas. Further, new musical instruments can be constructed by applying the newly identified thatas. Students of music may be taught new tunes based on the 32 thatas.

Abstract: A computer-implemented method (and system) for composing music, includes launching a menu based on an input from an input device, selectively inputting musical notation with the input device based on the menu items and unconstrained handwriting by a composer, and displaying the musical notation.

Abstract: The objects of the present invention are to provide a music sheet on which all the notes can be presented without using sharps or flats and to make writing and reading music easier. A music sheet is formed by providing base lines (3) at a certain distance, a center line (4) positioned between adjoining base lines, and two supplementary lines (5) which are aligned in such a way that the supplementary lines equally divide a space between the base line and the center line into three and preferably presented in such manner that they are distinguishable from the base lines (3) and the center line (4). With the above constitution, all the tones within an octave can be presented on a musical score without using sharps or flats, and writing music is easy because of the supplementary lines provided beforehand.

Abstract: An application program for generating performance data of a user input musical score performs a modifying process of modifying only a note with a musical sign such as a turn sign, so that as the generated performance data is reproduced, unnatural musical sounds are generated. For example, as a player uses a turn rendering with an acoustic piano or the like, there is a tendency that a key depression force for a note just after the turn rendering also becomes weak. With conventional techniques, however, this state cannot be automatically realized. In order to generate performance data whose notes are coupled naturally, output performance data is first generated at Steps SP10 or SP18 for a note (subject note) with a turn sign. Then, a velocity of performance data for a note (related note) positioned immediately after the subject note is weakened at Step SP12 or SP20.

Abstract: A music tone identification method with related apparatus, notation, and instruments for past, present, and future musical notes. Each tone note body, character, picture, song word, song letter, or song syllable has unique identification comprised of color, shape, shading, and lines. A song comprising the tone notes has a colored bar at beginning and at end to indicate its key. Each of twelve musical tones within a level of scale is sung by a vocalized alphabetical tone name. Each rigid vibrator has its tone identified by means of a unique colored sticker or coating for sight ahd sound recognition. Each tone of a musical instrument may have its corresponding playing surface identified by an identification colored sticker decal or coating. Each tone of an electronic oscillator, generator, and tuner that is received or generated is identified by illuminated opto electronic display, sticker decal, or coating comprising the identification method.

Abstract: A visual display for graphically symbolizing melodic increments of composed music includes composite designators, each of which represent a melodic increment in the musical composition. Each of the designators includes a first visual indicator which is selected from a first class of visual images. Each member of this first class of visual images corresponds to a different theme of the musical composition. Each composite designator also includes a second visual indicator which is selected from a second class of images. Each member of the second class of images corresponds to an ordering. Each composite designator represents a melodic increment having a specific theme and ordering.

Abstract: The electronic music providing apparatus comprises a music control unit which inputs score data, classifies the score data into music data of each play part, and transmits it, and an electronic music display unit which receives music data of each music part, stores it, displays the stored music, and turns music pages according to music display control data signal from said music control unit and other electronic music display units of the same part.

Abstract: A device for input of musical notes and chords, each triad including a plurality of musical notes and being classified into types according to a number of notes in the chord and the tonal relationship among the notes, includes a plurality of input devices each associated with a note. The input devices are arranged in spatial relationship to each other such that the spatial relationship of input devices required to play a type of chord is the same for all triads of that type.

Abstract: A musical score display apparatus installed in an electronic musical instrument such as a player piano is designed to automatically display and change over images of electronic musical score data on the screen. A user's voice (or vocalization) is input by means of a microphone and an A/D converter, so that the input voice is subjected to signal processing to produce voice data. The voice data is then subjected to voice analysis such as phoneme analysis to determine an arrangement of phonemes that are included in the input voice and that highly matches one of prescribed words listed in advance in a word dictionary. Recognition data is created based on the arrangement of the phonemes and is subjected to command interpretation with reference to prescribed commands that are listed in advance in a command database.

Abstract: The present invention provides apparatus for, and novel methods of representing the content of a musical score in an animated format that graphically prompts the user of a keyboard instrument. The graphic format elucidates features of the score in a way that may also be useful as a supplement to conventional keyboard instruction. The animation is displayed on the screen of a computer monitor together with a live video image of the user's hands on a musical keyboard. Viewing only the images on the monitor, the user guides his fingers to the keys targeted by the animation. He is thus able to play the proper keys on the real keyboard without diverting his eyes from the monitor. In the preferred embodiment, the system provides a real time display of both the score information, keyboard and the user's hand placement relative to the keyboard.

Abstract: A system and method for coordinated music composition and display among musicians is presented. The system and method enables a conductor, composer or band leader to interactively edit one or more score parts of a composition using a pen-based interface, mouse, alphanumeric keyboard, or a musical keyboard. Hand-written music editing, which is entered with the pen-based interface, may be flexibly converted to a digital music notation format. Connected to the composer station are one or more musician stations that may be arranged as an orchestra. The musical score parts may be selectively transmitted to one or more musician stations by the composer. Thus, an operator of the conductor station can flexibly write and edit music score parts and transmit the parts to musicians over the network. The system and method can also be used to conduct the orchestra in rehearsals or performances.

Abstract: A data processor using computer and a staff notation have a listing of note code table corresponding with data input to said computer and scales of music staff notation, a note decoder decoding from input data to corresponded scale code data using said listing of note code table, a note code storage device memorizing output data from said note decoder with in order, and an output means for output the music staff notation data from the note code storage device. Plural list of note code table are able to set in note decoder selectably.

Abstract: Templates are used in methods of improving the perceived intonation of musical notes by modifying each note to provide certain frequencies between adjacent pairs of notes. The template modifications provide, in a sequence of twelve notes per octave, or extended octave, that each note is separated from an adjacent note according to one of frequency ratios of 25/24 (h), 16/15 (m) and 27/25 (s). The templates can be used with keyboards and virtual keyboards and applied to recorded music, musical input signals, or data, as required.

Abstract: The system of musical notation includes a series of alphabetic characters “C”, “D”, “E”, “F”, “G”, “A” and “B” representing tones C through B, and a series of alphabetic characters “H”, “I”, “J”, “K” and “L” representing tones C♯ (D♭), D♯ (E♭), F♯ (G♭), G♭ (A♭) and A♯ (B♭), respectively. A timing grid is divided horizontally into an upper register section, a middle register section and a lower register section. The middle register section accommodates characters A, L, B, C, H, D, I and E, with character C representing the middle C tone of a keyboard instrument. The upper register section accommodates characters representing tones higher in pitch than tone E, the lower register section, accommodates characters, representing tones lower in pitch than tone A.

Abstract: A method that facilitates the learning process of musical note reading which is exhibited in a series of written exercises. Musical notes and letters of the alphabet are arranged in a specific order on musical staffs that consist of five horizontal lines. Each staff begins with a musical clef and is often, but not always, separated into segments by vertical lines. When each note is correctly identified and translated into the appropriate letter of the musical alphabet, either a, b, c, d, e, f, or g, the answers, in combination with the letters printed, will form recognizable words.

Abstract: Performance data for a plurality of parts are received, and timing data included in the performance data for these parts are combined together to provide a time series data common to the parts. Layout of individual measures and layout of notes within each of the measures and beats are determined on the basis of the combined timing information, so that the thus-determined layout is defined as a common layout for shared use in the individual parts. In accordance with the common layout, note marks are allocated to rows of staves corresponding to the parts on the basis of the part-specific performance data. Thus, it is possible to achieve musical score layout having an enhanced appearance with all the corresponding beat positions (time axes) of the rows of staves accurately aligned with each other. Further, each ornament is detected from among the performance data so that the ornament note group is presented on the staves using a predetermined ornament mark.

Abstract: A computerized tablature composer automatically updates a tablature notation following edits of a corresponding staff notation. The computerized tablature composer conversely links edits to a tablature notation with corresponding updates in a staff notation for a corresponding musical score. The computerized tablature composer ensures vertical alignment between corresponding notes in a staff notation and a tablature notation. The computerized tablature composer ensures that the actual played notes in both musical representations are aligned so that the musician knows which note in the staff notation corresponds to which note in the tablature notation. The computerized tablature composer further allows the coupling between tablature and conventional staff notation to be de-coupled upon request. The computerized tablature composer provides a musician with alternate fret locations for the notes in a musical work when the musician indicates an alternate string for a given note.

Abstract: A method and system for visually coding a musical composition to indicate musical concepts defined by the musical notation and the level of difficulty of the musical concepts. First, a set of musical concepts is defined. Next, a musical composition is provided. The composition has a plurality of measures that comprise musical notation that defines at least one musical concept. The musical concept has a level of difficulty. The measures are evaluated to determine the musical concepts that are define by the musical notation. The musical notation is then visually coded with indicia of a first indicia set to indicate a particular musical concept that is defined by the musical notation. In a preferred embodiment, each musical concept is evaluated to determine the level of difficulty of that concept. The musical notation pertaining to that concept is further visually coded to indicate the level of difficulty of that concept.