Abstract: A resonance signal generating method includes generating a first resonance signal of a first pitch circulating through first loop processing by inputting a first excitation signal to the first loop processing including first delay that delays the signal by a time corresponding to the first pitch and first attenuation that attenuates the signal, the first pitch being a pitch having a resonance frequency of a predetermined speaking length of a piano, generating a second resonance signal of a second pitch circulating through second loop processing by inputting a second excitation signal to the second loop processing including second delay that delays the signal by a time corresponding to the second pitch and second attenuation that attenuates the signal, the second pitch not being a pitch having a resonance frequency of any of speaking lengths of the piano or a pitch of a harmonic thereof but being higher than the first pitch, and outputting the first resonance signal circulating through the first loop processin

Abstract: Calculation is performed to provide a delay and attenuated oscillation to a blowing pressure detected by a blowing pressure sensor which detects blowing pressure, and a musical sound is generated based on the blowing pressure subjected to the calculation. As a result, for example, a blowing feeling of an electronic wind instrument can be made closer to a blowing feeling of a natural musical instrument.

Abstract: There is disclosed an apparatus and method including accessing data comprising a primary program comprising media suitable for linear playback, enabling access to a secondary program, made up of a plurality of channels and associated with the primary program, the secondary program time-synchronized to the primary program, and accepting user interaction identifying at least one of the plurality of channels for playback in synchronicity with the primary program. The method further includes accepting user interaction including configuration characteristics of the playback of the at least one of the plurality of channels on one or more displays, and enabling playback of the primary program in conjunction with the at least one of the plurality of channels as directed by the configuration characteristics.

Abstract: A method for applying audio effects to one or more tracks off musical compilation is disclosed. The method comprises identifying a first virtual musician to be associated with a first instrument track; identifying a first virtual producer to be associated with the first instrument track; applying a first series of effects to the first instrument track, the first series of effects being dependent upon the first virtual musician; and applying a second series of effects to the first instrument track, the second series of effects being dependent upon the first virtual producer.

Abstract: Systems and methods for collectively generating sound are provided. A sound composition can include multiple component pieces and those component pieces can be divided amongst devices so that the devices can collectively generate the sound composition. For example, each component piece may be assigned to a different device and the each device may provide its assigned component pieces in a synchronized manner so that the overall sound composition is collectively generated. By generating a sound composition in this manner, the network may create new and exciting spatial effects.

Abstract: A method of matching the tempo and phase in pieces of music which allows the conjunction of the pieces of music to form a continuous stream of music. The interactive music player which digitally executes the method of matching the tempo and phase in pieces of music is also disclosed.

Abstract: A system and method for musical collaboration in virtual space is described. This method is based on the exchange of data relating to position, direction and selection of musical sounds and effects, which are then combined by a software application for each user. The musical sampler overcomes latency of data over the network by ensuring that all loops and samples begin on predetermined temporal divisions of a composition. The data is temporarily stored as a data file and can be later retrieved for playback or conversion into a digital audio file.

Abstract: A system is disclosed and includes a network interface to receive a first Internet Protocol (IP) message within a first Voice over Internet Protocol (VoIP) call over a network, where the first IP message carries a first Musical Instrument Digital Interface (MIDI) signal. The system also includes a processor to receive the first IP message from the network interface and to extract the first MIDI signal from the first IP message.

Abstract: A headset includes a wearable body, first and second earphones extending from the wearable body, controls for controlling an external communication/multimedia device wirelessly, a microphone for picking up vocal data from a user of the headset system and a signal processing unit. The signal processing unit includes circuitry for processing the vocal data into a distinctly audible vocal feedback signal, circuitry for enhancing the vocal feedback signal thereby producing an enhanced vocal feedback signal and circuitry for mixing the enhanced vocal feedback signal with audio signals originating from the external communication/multimedia device, thereby producing a mixed output signal and then sending the mixed output signal to the user via the earphones. The external communication/multimedia device comprises a vocal command application and the headset further comprises a vocal command control for sending vocal commands to the external communication/multimedia device and to the vocal command application.

Abstract: A multi-media entertainment device enabling a user to control sound/audio elements of a music or sound program while video is displayed and which is correlated to the played sound elements. The user interacts with triggers such as laser beams that can be interrupted by a player's fingers to play music. The video track is displayed, and the user controls the audio play of the sound track by interrupting the beams, each beam associated with a different instrument. This allows the user to play the multimedia device along with a displayed video performance, in synchronization with one or more musicians displayed on a display. The user's play may be scored as a function of the user's accuracy of engaging the triggers. For instance, a user can strum a trigger associated with a guitar program in unison with a guitarist on the display. The music created by the user interacting with multiple triggers is sympathetic and always synchronized to the video performance.

Abstract: A piano with an electronic tone generator capable of outputting musical sound signals of a reverberation and/or a resonance, in accordance with whether an external output is performed or not.

Abstract: The teachings described herein are generally directed to a system, method, and apparatus for learning music through an educational audio track embodied on a computer readable medium. The system can comprise components including a processor, an input device, a database, a transformation module, an emulation recording module, an integration engine, an output module, and an output device, wherein each component is operable in itself to perform it's function in the system and operable with other system components to provide a system to a user for learning music.

Abstract: When a copy mode is set, all channel selecting switches on a control panel are set to valid for a parameter copy operation, in which, when an operation of the channel selecting switch is detected while the copy mode is set, (a) in a case where the operation of the channel selecting switch is determined to be a setting operation of a copy-source channel, the channel corresponding to the operated channel selecting switch is set as a copy-source channel and channel selecting switches corresponding to the channel of a different type from a type of the copy-source channel is set invalid so that only the channel selecting switch corresponding to the channel of the same type as of the copy-source channel is placed into a valid state, and (b) in a case where the operation of the channel selecting switch is determined to be the setting operation of a copy-destination channel, the channel corresponding to the channel selecting switch operated is set as a copy-destination channel.

Abstract: A configurable amplifier circuit for a karaoke player is described. In one embodiment, a karaoke player includes: a DVD/CD reader port for coupling to a DVD/CD reader, a microphone input to receive audio signals from an external microphone, an MPEG decoder coupled to the DVD/CD reader port and the microphone input, the MPEG decoder having first and second output terminals, a processor coupled to the MPEG decoder, the processor to control the MPEG decoder, and a configurable amplifier coupled to the first and second output terminals, wherein a first audio signal originating from the first output terminal is selectively amplified by the configurable amplifier circuit in accordance with a second signal originating from the second output terminal.

Abstract: An audio signal processing apparatus comprises input channels, a mix bus, a volume level controller, a path disconnector that connects or disconnects a path from each input channel to the mix bus, a signal selector that select either one of a post-signal and a pre-signal, a volume adjusting operator that groups at least a part of the plurality of input channels and collectively adjusts volume levels of the grouped input channels, a mute setting device that sets muting of the grouped input channels, a mute target selector that selects either one of a first mode in which only the post-signal is muted and a second mode in which both pre-signal and post-signal are muted, and a mute controller that controls, when the mute setting device has set muting of the grouped input channels, the volume level controller to execute the muting of the grouped input channels on the first mode, and controls the path disconnector to execute the muting of the grouped input channels on the second mode.

Abstract: The apparatus involves a hand-held housing with a memory for storing coded audio event data, a mechanism for downloading into the memory coded audio event data and digital-audio electronics for retrieving coded audio event data from memory, converting it to an audio signal and playing it out. In one disclosed embodiment of the invention, the data are stored in accordance with a musical instrument digital interface (MIDI) standard, and may be created on an appropriately equipped personal computer (PC). The capacity of such a hand-held device is far greater than if the data were conventionally digitized or coded. A wirelessly networked system of such music devices in physical proximity is disclosed that enables audio score synthesis and mixing by at least one such device of a synthesized score and an inputted score for outplay to others in a real-time musical jam or music-sharing session.

Abstract: An object of the present invention is to provide an information processing terminal that specifies emotions from a voice and audio outputs music suitable for the specified emotions to enable the emotions of a loudspeaker who uttered the voice to be recognized readily. In an information processing terminal according to the present invention, an emotion inferring unit 23 detects, from sound information, at least two emotions of an utterer who uttered a voice included in the sound information, and a music data generating unit 24 synthesizes music data, stored in a music parts database 242 and corresponding to the emotions detected by the emotion inferring unit 23, and a controller 22 reproduces the music data generated by the music data generating unit 24.

Abstract: An apparatus for synchronizing light signals to a music input signal includes an analog to digital converter to generate a digital signal equivalent of the analog music input signal, an digital signal decoder to generate an output pulse width modulated signal that is representative of the tempo and the volume of the music input signal, a light driver unit that receives the output pulse width modulated signal to correspondingly light up a lighting unit, and a lighting unit that emits light. Thus, light brightness synchronizes with the music volume amplitude, and the light blinks on and off with the music tempo and beating.

Abstract: A system for creating and manipulating digital media integrates a graphics tablet, a touchpad, and a synthesizer chipset. The graphics tablet includes a tablet surface, a grid of wires located under the tablet surface, and a graphics tablet chipset. The graphics tablet chipset includes an interface operably connected to the grid of wires for sending power to a stylus when the stylus is positioned over the tablet surface and receiving a signal from the stylus used to determine a position of the stylus with respect to the tablet surface. The touchpad is positioned on the tablet surface such that the touchpad also detects the position of the stylus simultaneously with the graphics tablet. The synthesizer chipset creates digital sounds based on input from the touchpad. The position of the stylus is output to a graphics tablet chipset output, and the digital sounds are output to a synthesizer chipset sound output.

Abstract: A CPU of an overdubbing device plays back a music file recorded in a memory card of the device and outputs the file as a played-back audio signal while mixing the played-back audio signal with an external audio signal input from the outside, to thus perform overdubbing. A music file recorded through overdubbing last time is automatically set as a playback music file for the next time, and a selected state of means for selecting execution/nonexecution of overdubbing is maintained as the state of execution. As a result, overdubbing is enabled by twice operations of a record key, whereby the operation is made identical with operation performed during ordinary recording.

Abstract: A mixing apparatus which makes it possible to monitor an internally-generated audio signal and an audio signal from an external apparatus not only in response to turning-on/off of a monitor switch but also in flexible and various manners when mixing those signals. The mixing apparatus is connected to at least one external apparatus, for inputting and mixing a plurality of audio signals and outputting a resulting mixed audio signal. The input audio signals are mixed into a mixed audio signal. The mixed audio signal and an audio signal input from the external apparatus are mixed using a predetermined monitor mix balance into a monitor output signal. A monitor switch is operated to switch between a plurality of monitor states. The predetermined monitor mix balance is changed according to a monitor state after switching by the monitor switch.

Abstract: There is provided a music accompaniment apparatus that is connected to at least one external device to reproduce an audio or video signal, the music accompaniment apparatus including: an audio input section for inputting an external audio signal; an audio signal processing section for processing an audio signal including an accompaniment signal internally provided and an external audio signal input through the audio input section, and externally outputting the processed audio signal; a video signal processing section for processing a video signal including a caption signal, and externally outputting the processed video signal; a time delay calculating section for calculating the difference between a transmission time of a check signal to the at least one external device and a reception time of the check signal from the at least one external device to compute a time delay representing a delay of the audio or video signal for the at least one external device; and a control section for controlling the whole oper

Abstract: Preserving an audio signal in an audio system includes selecting a first audio signal from a plurality of audio signals. The first audio signal is applied to a first transducer. Mix a portion of the first audio signal with a second audio signal from the plurality of audio signals to provide a mixed audio signal. A gain of the first audio signal that is applied to the first transducer is decreased while a portion of the mixed audio signal is applied to a second transducer to preserve at least a portion of the first audio signal.

Abstract: In a digital mixer, a storage stores operating data including a plurality of parameters for controlling states of audio signals of a plurality of channels. A signal processor performs a mixing process of the audio signals based on the operating data. A plurality of channel strips are mounted on an operating panel in correspondence to the plurality of the channels. Each channel strip includes operators arranged for controlling a corresponding channel. A display controller displays a panel imitation portion imitating an appearance of the operating panel and including a plurality of channel strip imitation images which imitate the plurality of the channel strips and which are arranged in a positional relationship corresponding to a positional relationship of the channel strips arranged on the operating panel. A parameter setter sets a value of a specific parameter of a channel corresponding to a channel strip upon detecting that the channel strip has been manipulated.

Abstract: An apparatus, method and system for generating music in real time are provided. A pipeline for coordinating generation of a musical piece is created. At least one producer is loaded into the pipeline, the at least one producer for producing at least one high level musical element of the musical piece, independent of other producers in the pipeline. At least one generator is called by the at least one producer, the at least one generator for generating at least one low level music element of the musical piece. The at least one low level musical element and the at least one high level musical element are integrated, such that the musical piece is generated in real time.

Abstract: Methods, systems, and computer program products for selection of visually displayed audio data are provided. In one implementation, a computer-implemented method is provided. Original audio data is displayed in a plurality of visual forms. A first input is received selecting a region within a first visual representation of the original audio data. A second input is received selecting a region within a second visual representation of the original audio data. Audio components from the selected regions are isolated to provide isolated audio data. The isolated audio data corresponds to audio data common to both user selected regions. The isolated audio data is edited and then missed into the original audio data.

Abstract: This invention provides a signal processing and signal synthesis technique from a family of signal processing and signal synthesis techniques designed to readily interwork or be used individually in creating new forms of rich musical timbres. Phase staggered multi-channel signal panning creates spatial perturbation and chase effects for subtle or dramatic application, and may be swept with control signals from a low-frequency oscillator, transient envelope, or other source. Phase-staggering and modulation parameters may be recalled from stored program control or modulated in real-time by arbitrary control signals, including those derived from the original input signal. The invention may be used individually or in conjunction with other signal processing and signal synthesis techniques in creating new forms of rich musical timbres. The invention may also be used in spatially-distributed timbre construction.

Abstract: This invention provides a signal processing and signal synthesis technique from a family of signal processing and signal synthesis techniques designed to readily interwork or be used individually in creating new forms of rich musical timbres. A plurality of audio signal delays, each with high resonance positive feedback, distortion characteristics, and selectable delay times corresponding to a desired resonant frequency, provide twang and resonance synthesis for moments of sparkle or vibrantly-responsive ongoing backdrops. The selectable delay times may match a musical scale or other resonant frequency distribution. Delay, feedback, and signal processing characteristics and parameters may be recalled from stored program control or modulated in real-time by arbitrary control signals, including those derived from the original input signal. The invention may be used individually or in conjunction with other signal processing and signal synthesis techniques in creating new forms of rich musical timbres.

Abstract: Electronic piano includes speakers arranged on its front side region and another speaker provided at a back position of the piano. Waveform memory provided in a tone generator section has prestored therein sets of four-channel waveform data, each of the sets corresponding to a tone. The four-channel waveform data are data recorded from a natural musical instrument via four microphones installed at sampling positions corresponding to the above-mentioned speakers. The microphones are installed with the on-microphone setting in which the microphones are positioned close to sounding members of the natural musical instrument. In response to depression of a key, any one of the sets of four-channel waveform data, corresponding to a tone pitch designated by the key depression, is read out from the waveform memory, so that the four-channel waveform data are supplied in parallel to the individual speakers.

Abstract: An acoustic drum set amplifier specifically calibrated for each instrument within a drum set, specifically a snare drum, a bass drum, a bongo drum, tom-tom drum, a hi-hat, ride cymbal and crash cymbals, for optimizing the sound frequency of the instrument. In operation, an artist using the device might be able to filter, blend, and manipulate an electro-acoustic signal associated with an acoustic drum instrument, either captured by a microphone or generated by an electronic drum module to the artist's preferences while monitoring the sound directed towards an audience at a live performance.

Abstract: Methods and apparatus for simulating the sound of a specific percussion instrument. A first stored waveform representative of the impulse response of the specific percussion instrument is convolved with a second waveform representing of the vibrations produced when a playing surface is struck, scraped or rubbed by a hand-held implement manipulated by a human player. A control interface produces a control signal indicative of a desired audio effect, and a signal processor modifies the spectral components of the output waveform produced by the convolution in response to the control signal to produce a modified output waveform that manifests the desired audio effect.

Abstract: As viewed from the front of an operation panel, adjustment sections for individual input channels are positioned on the operation panel close to a human operator, and a display, a control section for setting an equalizer process, compressor process etc. for one selected channel and a signal delivery control section for setting signal delivery to mixing buses for the selected channel are positioned in a horizontal row remotely from the human operator. Operators in the delivery control section are varied in function in accordance with a selected operation mode. For example, in a mix send mode, a plurality of rotary operators are set to function as send level adjustment operators for the respective input channels so as to adjust send levels to a given mixing bus, while, in a mix master mode, the rotary operators are set to function as output gain adjustment operators for the respective mixing buses.

Abstract: In an audio mixing console, a channel strip section is disposed on an operation panel on the basis of a group, which is derived by classifying a plurality of input channels and output channels in groups, and using channel strips provided to the channel strip section, a parameter setting can be performed for each of the channels. In such an audio mixing console, an assignment channel strip section is provided on the center portion of the operation panel for enhancing operability, and the respective channels of the group are each assigned to their corresponding assignment channel strips through operation of a group selection operation member to enable the parameter setting. In a group selection operation section including the group selection operation members on the operation panel, the group selection operation members are disposed in a corresponding manner to the disposition positions of the channel strip sections on the operation panel.

Abstract: A device for digitally producing signals representative of sounds having a sonority simulating that of an instrument with keyboard and strings that are linked to a sounding board of the instrument, these sounds each corresponding to a note of the instrument. The device produces at least one signal representative of a keyboard and stringed instrument sound on the basis of at least one trigger signal and parameters, termed physical parameters. The physical parameters include at least one parameter, the so-called sounding-board parameter, characteristic of a sounding board of a keyboard and stringed instrument to be simulated. Furthermore, the physical parameters according to the invention comprise at least one parameter, termed the string(s) parameter, characteristic of at least one string of the keyboard and stringed instrument to be simulated. The device includes elements (9, 10, 11, 33) for inputting at least one physical parameter.

Abstract: An object of the present invention is to provide an information processing terminal that specifies emotions from a voice and audio outputs music suitable for the specified emotions to enable the emotions of a loudspeaker who uttered the voice to be recognized readily. In an information processing terminal according to the present invention, an emotion inferring unit 23 detects, from sound information, at least two emotions of an utterer who uttered a voice included in the sound information, and a music data generating unit 24 synthesizes music data, stored in a music parts database 242 and corresponding to the emotions detected by the emotion inferring unit 23, and a controller 22 reproduces the music data generated by the music data generating unit 24.

Abstract: Systems and methods for creating and presenting sensory stimulating content. One aspect of the invention allows a composer to associate content with one or more triggers, and to define behavior characteristics which control the functioning of each trigger. Another aspect of the invention provides a variety of user interfaces through which a performer can cause content to be presented to an audience.

Abstract: A music editing apparatus is provided that uses so-called time line meta data that describe a beat and melody structure of a song to automatically accomplishes an automatic DJ remix play with a low load. The apparatus also includes a synchronous reproduction controlling section which sends a master beat to the remix processing section and reproduces a plurality of songs corresponding to a remix process which the remix processing section designates corresponding to a remix pattern and the meta data and a mixing section which mixes the songs reproduced by the synchronous reproduction controlling section.

Abstract: A remix processing section performs a remix process based on both meta data that are pre-generated corresponding to song data and that contain at least a time-based beat position and a file for deciding a remix pattern. A synchronous reproduction controlling section generates a master beat, sends the master beat to the remix processing section, and reproduces a plurality of songs based on individual entries of the meta data according to the remix process which the remix processing section has designated corresponding to the remix pattern and the meta data. A mixing section mixes songs reproduced by the synchronous reproduction controlling section. A music editing apparatus that can accomplish editing of overlaying or connecting whole or part of each of many songs recorded in a record medium such as a hard disk or a flash memory with their beats matched is provided.

Abstract: Digital complex tone generators include a first tone generator configured to generate a first digital tone with selectable first characteristics including a first frequency, a first phase, and a first amplitude; a second tone generator configured to generate a second digital tone with selectable second characteristics including a second frequency, a second phase, and a second amplitude; and a generator adder configured for combining the first tone and the second tone to provide a digital complex tone with programmable characteristics. Corresponding methods include initializing a first and second tone generators based on, respective, selected frequencies, phases, and amplitudes; iteratively generating a first digital tone and a second digital tone; and combining these two tones to provide the digital complex tone.

Abstract: An electronic keyboard musical instrument which can realize natural sounds with favorable sound quality as an acoustic piano. A sound board (33) made of a plate member is vibrated so as to generate musical tones. A first performance signal generator (22) generates a first performance signal based on the operating state of a plurality of keys of a keyboard (17). A second performance signal generator (23) generates a second performance signal, which is different from the first performance signal, based on the operation of the plurality of keys and the operation of a pedal (18). Speakers (41A-41D) generate musical tones based on the first performance signal generated by the first performance signal generator (22). Transducers (21A-21C) mounted to the sound board (33) vibrate the sound board (33) based on the second performance signal generated by the second performance signal generator (23).

Abstract: A plurality of music apparatus 10 to 30 such as an electronic musical instrument and a microphone apparatus are connected by wireless to a mixer apparatus 40. A Bluetooth module is adopted as wireless communication means to construct a piconet with mixer apparatus 40 functioning as a master and music apparatus 10 to 30 functioning as slaves. Audio signals and MIDI data from music apparatus 10 to 30 are transmitted by wireless to mixer apparatus 40 through isosynchronous communication procedure using Bluetooth modules 11, 21, 31, 41. In mixer apparatus 40, with regard to the MIDI data, music tone signals based on the MIDI data are produced, whereafter the produced music tone signals and the aforesaid audio signals transmitted by wireless are mixed. Wiring by means of cables between a plurality of music apparatus and a mixer apparatus is abolished, thereby eliminating the cumbersomeness of wiring and the restrictions accompanying the wiring.

Abstract: This invention provides a signal processing and signal synthesis technique from a family of signal processing and signal synthesis techniques designed to readily interwork or be used individually in creating new forms of rich musical timbres. A multi-channel cross-flanger with differing modulation signals for each flanger element deepens synthesized sounds. The configuration may process outputs from a plurality of distortion signal processors, each driven by a related signal, to create new levels of distortion richness. Each distortion signal processor may be driven by an output of a multiple-output spatializing signal processor. The characteristics and parameters of the processors and modulations may be recalled from stored program control or varied by real-time control signals, including those derived from the original input signal. The invention may be used individually or in conjunction with other signal processing and signal synthesis techniques in creating new forms of rich musical timbres.

Abstract: A request is received to play a first audio file and a second audio file. A system identifies a first effective start position and a fade-out position associated with the first audio file. The system also identifies a second effective start position associated with the second audio file. The first audio file is played from the first effective start position. When the fade-out position associated with the first audio file is reached, playback of the first audio file is faded-out while the second audio file is played from the second effective start position.

Abstract: A digital piano apparatus includes an input unit including a plurality of keys and a plurality of pedals, a sound source unit, a sound field synthesizing unit, and a speaker unit. The sound field synthesizing unit includes virtual sound source spot signal generating means for generating a plurality of virtual sound source spot signals of a number equivalent to the number of output channels in the speaker unit, the plurality of virtual sound source spot signals being used for forming reproduced sound fields of a grand piano on the basis of a plurality of tone signals supplied from the sound source unit; mixing means for mixing each virtual sound source spot signal with the remaining virtual sound source spot signals; and sound effect means for applying a sound effect by signal processing using impulse responses to the virtual sound source spot signals.

Abstract: There are provided a mixing apparatus that enables a user who is mixing and the like to be positively engaged in the performance of a musical composition at a low cost by simple operations, a method of controlling the same, and a mixing control program. A plurality of first audio data are input, and the input plurality of first audio data are mixed. A storage device stores a plurality of second audio data. A plurality of operating members are each disposed to be depressed and have a sensor for detecting the depression. At least one of the plurality of second audio data stored in the storage device is assigned, respectively, to at least one of the plurality of operating members. The second audio data is reproduced when the at least one of the plurality of operating members to which the second audio data is assigned is detected as being depressed. The second audio data reproduced by the reproducing device is input, and the input second audio data and the input first audio data are mixed.

Abstract: There is provided an apparatus for processing at least one MIDI signal. The apparatus includes a first input for receiving MIDI signals, a second input connected to an audio output of a sound generating device for receiving analog signals, a digital-analog converter coupled to the first input for converting the MIDI signals into analog signals, and a summing circuit for summing the converted MIDI signals from the first input and the analog signals from the second input. A resultant signal from the summing circuit may be output from a connector of the apparatus. The connector may be for connection to a sound reproduction apparatus. Preferably, the first and the second inputs allow input of signals either by a wired connection or wirelessly. There is also provided a corresponding method for processing data from a sound generating device.

Abstract: The disclosure presented here involves an effect device that can easily connect with other effect devices in parallel. A preferred embodiment of this device is equipped with a number of components including an effect add means that adds effects, a mixing means that mixes the musical signals, a mode switching means that configures the operation from parallel mode to serial mode, and a phase reversal means that reverses the phase of the musical sound signals. Various combinations using the above means are possible and are presented in this disclosure. The output terminal outputs the musical sound signals that were selected, mixed, and or treated by the enabled features of the underlying embodiments.

Abstract: A method, device and application for combining one or more multimedia content sources (e.g., songs) together and rendering the composite output to a user in a user sensible format that is audibly pleasing to the user through a player. A first multimedia content source and a second multimedia content source is selected. An analysis is made of the sources to find at least one candidate from each source to mix together. At least one candidate from each source is selected. The beat length associated with each the selected candidate is set and adjusted, if necessary. A fade mixing profile is selected. The fade mix profile adjusts a volume parameter associated with the selected candidate from each source over a transition period of time. The selected candidate from each source together is mixed according to the fade mixing profile to transition over the transition period time between the first multimedia content source and the second multimedia content source to form a beat mix transition.

Abstract: This system serves as one musical instrument by interconnecting a plurality of musical apparatuses EMa through EMf via an expandable communication connecting portion such as USB networks CB and UH. The respective musical apparatuses EMa through EMf have their own apparatus information. For the host musical apparatus EMa, a plurality of path rule information sets which are associated with a plurality of possible statuses where apparatuses are interconnected on a USB network and each of which specifies a path along which music data is transferred among the musical apparatuses are provided. Once the musical apparatuses EMb through EMf are connected to the USB network, the host musical apparatus EMa creates an actual connection pattern Pa1 representative of an actual apparatus connection status in accordance with the apparatus information of the apparatuses EMa through EMf.

Abstract: In a digital mixer including a display, cursor controls, an increase/decrease control, and a plurality of channel strips for controlling parameters of input channels associated therewith, on a control panel, the channel strips each having a selection switch, an assignment switch is provided for assigning any one parameter among the parameters of the input channel to the increase/decrease control, so that where operation of the increase/decrease control is detected, when no selection switch has been operated, a value of a parameter displayed at the position of the cursor is changed in accordance with the operation of the increase/decrease control, while when any selection switch has been operated, a value of a parameter assigned to the increase/decrease control among parameters of an input channel corresponding to a channel strip having the selection switch is changed.