Abstract: A system and method is disclosed for reconstructing high frequency components of a digital audio signal using a harmonic enhancer in a baseband integrated circuit of a receiver handset. The original spectrum of the digital audio signal is upsampled in a times two (2) upsample unit to double the size of the bandwidth. A low pass filter then removes a high frequency alias of the original spectrum. The spectrum is then modulated with a first carrier frequency and sent to a first filter bank where a low pass filter and a high pass filter shape the modulated harmonic spectrum. After gain adjustment, the modulated harmonic spectrum is added to a delayed version of the original spectrum. Additional harmonic spectra are similarly created at other carrier frequencies and added to the audio output spectra to reconstruct high frequency components of the audio signal.

Abstract: The CHOPPER has a unique treadle design which allows a better utilization of space in order to accommodate the control functions in a compact foot-pedal sound effect. In the case of the CHOPPER, the space is required to allow the multiple control functions required to achieve delay (echo) emulation, which is a new and unique sound effect generated by this product. The sound effect is controlled by means of a foot treadle that can uniquely control multiple parameters. The rate at which the foot treadle controls the effect is by means of a specific and unique optical coupling. To enable precise control of the effect, there is a visible read out of the modulation frequency which has not been achieved before in a foot pedal. Further, the modulation frequency can be controlled by a MIDI sync code which is also unique in a foot-pedal format.

Abstract: A receiver in a communication system is coupled to a transmission channel for receiving communication signals transmitted over a transmission channel. The receiver includes signal receiving electronics for receiving communication signals directed to the receiver. The receiver also includes a controller, responsive to the receipt of a communication signal by the signal receiving electronics, to provide an enunciator enable signal, and a clock signal generator for generating a clock signal. The receiver further includes an enunciator coupled to the clock signal generator, for producing an electronic sound signal. The enunciator includes a volume control module for receiving a first periodic signal and providing a volume control signal. The enunciator also includes a divider for receiving the clock signal and providing a corresponding output signal having a frequency corresponding to the frequency of the clock signal frequency divided by a divider value.

Abstract: A receiver in a communication system is coupled to a transmission channel for receiving communication signals transmitted over a transmission channel. The receiver includes signal receiving electronics for receiving communication signals directed to the receiver. The receiver also includes a controller, responsive to the receipt of a communication signal by the signal receiving electronics, to provide an enunciator enable signal, and a clock signal generator for generating a clock signal. The receiver further includes an enunciator coupled to the clock signal generator, for producing an electronic sound signal. The enunciator includes a volume control module for receiving a first periodic signal and providing a volume control signal. The enunciator also includes a divider for receiving the clock signal and providing a corresponding output signal having a frequency corresponding to the frequency of the clock signal frequency divided by a divider value.

Abstract: Intermodulation means for the emulation and exaggeration of an aspect of vacuum tube amplifiers by solid state, digital, speaker or other means. The intermodulation means produces intermodulation products of the input and an audio signal source which may be a spectrum-limited, filtered version of the input or the output or a spectrum-limited repetitive or random noise generator.

Abstract: A tone generating circuit for delivering power to a speaker modulated fourth harmonic audio square wave signal by its fundamental to produce a modulated audio signal within a selected frequency range. The tone generating circuit may be incorporated in a power delivering circuit that supplies a pulse width modulated audio signal to a speaker in one mode of operation, a fourth harmonic modulated audio signal in a second mode of operation, and a square wave audio signal in a third mode of operation.

Abstract: A microprocessor provides a pulse width modulated pulse train at a predetermined frequency to a tuned resonant circuit having a transducer element. The first pulse has a predetermined width. The pulse widths of successive pulses are decreased in a predetermined manner until the pulse width reaches a minimally desired width. The next generated pulse has the first predetermined width and each successive width is decreased in the same predetermined manner. This pattern is generated repeatedly. Each one of these generated patterns produces an audible waveform from the tuned resonant circuit which changes over time. If the pulse train frequency, the pulse width modulation, and the circuit's resonant frequency are chosen correctly, the audible waveform will have the same characteristics as the waveform produced by a specified bell which has been struck.

Abstract: A musical sound waveform generator includes a carrier signal generating unit, a modulation signal generating unit, a mixing controlling unit and a waveform outputting unit. The characteristics of the carrier signal from the carrier signal generating unit are determined such that the musical sound waveform generated by the waveform outputting unit is a sine wave or a cosine wave with a single frequency, where the mixing ratio of the modulation signal is made O by the mixing controlling unit. Therefore, the mixing controlling unit presets the mixing ratio of the modulation signal to be O, making it possible to generate a musical sound waveform which is only a sine wave or a cosine wave of a single frequency. During the performance, the mixing ratio can, for example, be determined at a high value immediately after the start of sound generation and thereafter reduced to near O with time.

Abstract: A musical tone synthesizing apparatus which is suitable for simulating and synthesizing the percussion instrument tone provides a closed-loop including at least an adder and a delay circuit. An input signal corresponding to a musical tone signal to be synthesized is supplied to the adder from an external device. The adder adds the input signal to its feedback signal. The output of adder is delayed by a delay time in the delay circuit, wherein delay time is controlled by a modulation signal. Then, delayed output of the delay circuit is fed back to the adder as the feedback signal. Thus, the output of adder or a signal propagating the delay circuit is picked up as a synthesized musical tone signal. Preferably, it is possible to provide a plurality of delay circuits.

Abstract: A musical tone synthesizing apparatus comprising FM operators and connection control device. At least one of the FM operators comprises a waveform memory, phase data generation device, and output inversion device. The waveform memory stores fundamental waveform data. The phase data generation device generates phase data as an address signal for accessing the waveform memory on the basis of a musical tone designation signal and a modulation signal inputted from an external circuit. The output inversion device selects whether a waveform signal read out from the waveform memory is outputted after sign inversion, or is outputted directly. The connection control device arbitrarily combine connections of the FM operators.

Abstract: A musical sound waveform generator includes a carrier signal generating unit, a modulation signal generating unit, a mixing controlling unit and a waveform outputting unit. The characteristics of the carrier signal from the carrier signal generating unit are determined such that the musical sound waveform generated by the waveform outputting unit is a sine wave or a cosine wave with a single frequency, where the mixing ratio of the modulation signal is made 0 by the mixing controlling unit. Therefore, the mixing controlling unit presets the mixing ratio of the modulation signal to be 0, making it possible to generate a musical sound waveform which is only a sine wave or a cosine wave of a single frequency. During the performance, the mixing ratio can, for example, be determined at a high value immediately after the start of sound generation and thereafter reduced to near 0 with time.