Abstract: The method of the present invention preferably receives a predetermined number of input values or data from which it may be determined which one of a predetermined number of modulator waveforms is selected and which one of a predetermined number of carrier waveforms is selected for a desired audio signal, musical sound or tone. A portion of the input values are used to generate predetermined control signals which are used in combination with the selected modulation waveform to interpolate stored modulator harmonic spectral values to determine the modulator waveform's harmonic sideband(s). A second portion of the control values that have been generated are used in combination with the selected carrier waveform to then determine the carrier waveform's spectral values, amplitude and envelope amplitude. Following this the carrier and modulator spectral values are combined in a preselected manner to provide an appropriate composite signal.

Abstract: According to the invention, formant waveform signals which are waveforms synthesized from frequency components corresponding to formants of musical tones, are stored and read out or generated. When such formant waveform signal is read out or generated, the density of frequency components of the formant of the formant waveform signal is controlled and also the frequency of a formant center signal which is to be synthesized is a center signal with the formant waveform signal is controlled. In this way, the formant waveform signal is synthesized on the formant center signal. Thus, the density of formant frequency components and the formant center signal frequency can be controlled separately and independently. Further, the kind of formant waveform signal is switched according to musical factors of musical tone. Thus, different kinds of formant waveform signals to be output are switched according to musical factors of musical tones.

Abstract: Ratios of frequencies of frequency components of formant waveform signals are changed, and consonance of frequency components of a musical tone is controlled. Moreover, amplitudes, frequencies or numbers of formants are controlled depending upon the musical factors, making rich the contents for changing the musical tones.

Abstract: The content of component waveforms of at least one signal is changed in a variety of ways among the formant center signals that are synthesized with the formant waveform signals, making it possible to arbitrarily change the waveform of a musical tone that is generated. To cope with changes in the formant waveform signals Ffj(t) or the formant carrier signals Gj(t) formed by synthesizing the component waveforms, furthermore, the signals Fj(t) and Gj(t) are weighed and interpolated. This permits the signals Fj(t) and Gj(t) to change smoothly. Moreover, the number or combination of formant waveform signals synthesized to produce a musical tone is controlled depending upon the musical factors, elapsed time of sounding, envelope levels, envelope phases and/or settings instructed by an operator. This enables the form of the synthesized formant to be changed and the content of a musical tone that is generated to he changed in a variety of ways.

Abstract: An electronic sound generating device is proposed which can generate sound that is complex, profound and high in fidelity to acoustic sound. Sound of the acoustic instruments consists of a plurality of harmonics. Some of the harmonics have swings on their envelope curves, thereby causing beats of the sound. Inspired by this feature, the present invention causes swing on predetermined harmonics in synthesizing a plurality of harmonics for generating sound. A construction for swinging the envelope curves is also proposed.

Abstract: Analysis data are provided which are indicative of plural components making up an original sound waveform. The analysis data are analyzed to obtain a characteristic concerning a predetermined element, and then data indicative of the obtained characteristic is extracted as a sound or musical parameter. The characteristic corresponding to the extracted musical parameter is removed from the analysis data, and the original sound waveform is represented by a combination of the thus-modified analysis data and the musical parameter. These data are stored in a memory. The user can variably control the musical parameter. A characteristic corresponding to the controlled musical parameter is added to the analysis data. In this manner, a sound waveform is synthesized on the basis of the analysis data to which the controlled characteristic has been added. In such a sound synthesis technique of the analysis type, it is allowed to apply free controls to various sound elements such as a formant and a vibrato.

Abstract: A tone signal processing apparatus for time-divisionally reading out tone signal waveforms in units of different channels from a waveform memory for storing a plurality of kinds of tone signal waveforms each consisting of tone data at a plurality of sampling points. An arithmetic circuit for multiplying each of two input data with a predetermined coefficient, and adding the products, and a memory circuit for storing an output from the arithmetic circuit are arranged. The arithmetic circuit is alternately operated in two arithmetic modes, i.e.

Abstract: A musical tone synthesizing apparatus generates musical tones by simulating the tone generation construction of a plucked-stringed instrument or string-striking type stringed instrument. The apparatus has a closed-loop circuit which simulate a tone generating element of the instrument, an excitation circuit which creates an excitation signal corresponding to the excitation given to the tone generating element in response to the time function. The time function is set in response to operational information of the tone generating operator. The excitation signal is supplied to the closed-loop circuit and circulates around closed-loop circuit and is delayed by a delay circuit having delay interval, and is fed back into the excitation circuit as the state of the tone generating element.

Abstract: A method and apparatus are disclosed for the dynamic control of a MIDI synthesizer filter. A digital filter controlled by a plurality of filter coefficients is preferably coupled to the output of an excitation signal source within a MIDI synthesizer. The excitation signal source is typically controlled by a MIDI data file comprising a sequential series of program control commands and matching note on and note off commands. A plurality of filter coefficient factors are stored in memory and periodically accessed in response to variations in the program control commands and matching note on and note off commands. The selected filter coefficient factors are then utilized to calculate appropriate filter coefficients so that the center frequency and filter Q of the digital filter may be dynamically and optimally controlled.

Abstract: A parameter generation circuit sequentially generates different tone forming parameters by timewise changing them in a predetermined sequence. A sequence control circuit performs a control so as to repeat the sequential generation of the different tone forming parameters in the parameter generation circuit. The sequentially generated tone forming parameters are applied to a tone forming circuit in which a tone signal having tone color characteristics based on these tone forming parameters is formed. The tone color characteristics of the tone signal formed undergo timewise change due to the timewise change in the tone forming parameters. By repeating the sequential generation sequence of the tone forming parameters, an adequate tone color variation can be realized notwithstanding that a relatively small number of tone forming parameters may be used.

Abstract: A method for achieving the effect of air movement in instruments during replication and sounding of complex musical instruments by separating unstable frequency components, the quasi-periodic components, from stable fundamental and harmonic components, the periodic components, of compound voice waveforms, storing the respective component information pertaining to the quasi-periodic and periodic components in separate memory locations, and recombining the quasi-periodic component with one or more periodic components in appropriate fashion to form and sound the compound voice waveforms.

Abstract: An electronic musical instrument includes circuitry for modifying an ordinary address signal which changes at a uniform rate over one cycle of a waveform, into a modified address signal whose rate varies in one cycle of the waveform by the use of a modification signal.The modified address signal accesses a storage device such as a ROM in which waveform data is stored, thereby producing the modified waveform data from the storage device. The modification signal is obtained from the ordinary address signal through a predetermined logic circuit.