Abstract: A music apparatus has a central processor, a plurality of generator modules, and a program memory storing instructions for causing the central processor to execute a process of synthesizing a musical tone signal with the generator modules. The process includes the steps of commanding each of the generator modules to generate a predetermined number of samples of the musical tone signal at a common sampling period, and collecting the samples from each of the generator modules and processing the collected samples at the common sampling period to thereby synthesize the musical tone signal. The generator modules include a synchronous generator module that does generate the predetermined number of the samples at the common sampling period, and an asynchronous generator module that does not generate the predetermined number of the samples at the common sampling period.

Abstract: Physical model tone generator, which includes a loop section with a signal delay element, generates a driving signal by modifying a loop output signal from the loop in accordance with a performance parameter such as a bowing velocity, and introduces the generated driving signal to the loop. This way, the tone generator generates a tone signal with a characteristic controlled by the performance parameter, in a pitch period corresponding to a time delay of the loop. To generate the driving signal, a nonlinear conversion section performs a nonlinear conversion on an input signal based on the loop output signal and performance parameter. The conversion section switches an input-output characteristic, to be used for converting the input signal, into one of at least first and second input-output characteristics in accordance with intensity of a signal based on the loop output signal or the input signal, so that a desired nonlinear conversion characteristic is achieved.

Abstract: This invention provides a method of additive synthesis of sound wherein the amplitude A of a plurality of harmonics having frequency n*f, where f is the fundamental frequency and n is the harmonic number, is calculated by use of a formula selected from those belonging to the family described by Formula I:A(n)=P*[(1/n.sup.a)(sin)(.pi.n(X%)).sup.b (cos(.pi.n(X%)).sup.c (sin(.pi.n(X'%)).sup.b' (cos(.pi.n(X'%)).sup.c' (sin(.pi.n(X"%)).sup.b" (cos(.pi.n(X"%)).sup.c" . . . ]+Q*[(1/n.sup.d)(sin(.pi.n(Y%)).sup.e (cos(.pi.n(Y%)).sup.g (sin(.pi.n(Y'%)).sup.e' (cos(.pi.n(Y'%)).sup.g' (sin(.pi.n(Y"%)).sup.e" (cos(.pi.n(Y"%)).sup.g" . . . ]+ [I]wherein coefficients P; a; X, X', X", etc.; Q; d; Y, Y', Y", etc.; are real numbers, and coefficients b, b', b", etc.; c, c', c", etc.; e, e', e", etc.; g, g', g", etc. are non-negative integers;or Formula II:A(n)=P*[(1/n.sup.a).times..vertline. sin(.pi.n(X%).vertline..sup.b .times..vertline. cos(.pi.n(X%).vertline..sup.c .times..vertline. sin(.pi.n(X'%).vertline..sup.b' .times..

Abstract: The present invention describes methods and means for estimating the time-varying spectrum of an audio signal based on a conditional probability density function (PDF) of spectral coding vectors conditioned on pitch and loudness values. Using this PDF a time-varying output spectrum is generated as a function of time-varying pitch and loudness sequences arriving from an electronic music instrument controller. The time-varying output spectrum is converted to a synthesized output audio signal. The pitch and loudness sequences may also be derived from analysis of an input audio signal. Methods and means for synthesizing an output audio signal in response to an input audio signal are also described in which the time-varying spectrum of an input audio signal is estimated based on a conditional probability density function (PDF) of input spectral coding vectors conditioned on input pitch and loudness values.

Abstract: A musical tone synthesizing apparatus includes a tone color selecting device that classifies a plurality of tone colors set in the main body thereof into a plurality of categories, and selects a tone color based on the categories into which the tone colors have been classified. An expanded tone color supplying device supplies a plurality of expanded tone colors to the tone color selecting device. The tone color selecting device classifies the expanded tone colors supplied from the expanded tone color supplying device into a plurality of categories, in substantially same manner as used for the tone colors set in the main body, and selects an expanded tone color based on the categories into which the expanded tone colors have been classified. Further, a musical tone synthesizing method and a storage medium storing a program executable by a computer are provided to perform the same functions as the musical tone synthesizing apparatus.

Abstract: A wavetable audio synthesis system includes a simplified burst data transmission interface and a modified wavetable data structure in a system memory to transfer wavetable data from the system memory to a wavetable audio synthesis device with reduced hardware complexity. The system memory is configured to store voice data in patches including a plurality of voice data samples beginning at an initial address and extending through a plurality of ramp voice data samples to a starting loop address. The voice data in the patches then includes a plurality of looping voice data samples from the starting loop address to an ending loop address. The voice data patches are extended by repeating the voice data samples beginning with the sample at the starting loop address and extending toward the samples at the ending loop address. The number of repeated samples extend for a number of samples equal to the size of a burst transfer.

Abstract: For use in a synthesizer having a wave source that produces a periodic wave, frequency shifting circuitry for frequency-shifting the periodic wave and waveshaping circuitry for transforming the periodic wave into a waveform containing a formant, the frequency-shifting causing displacement of the formant, a circuit for, and method of, compensating for the displacement and a synthesizer employing the circuit or the method. In one embodiment, the circuit includes bias circuitry, coupled to the wave source and the frequency shifting circuitry, that introduces a bias into the periodic wave based on a degree to which the frequency shifting circuitry frequency shifts the periodic wave, the bias reducing a degree to which the formant is correspondingly frequency-shifted.

Abstract: To allow a general-purpose processor and dedicated tone generator device to execute an ensemble with their tone generating timing properly matched with each other, tone synthesizing processing based on performance information is assigned to either the general-purpose processor or the dedicated tone generator device. The general-purpose processor, after completion of the tone synthesizing processing thereby, performs control to cause the dedicated tone generator device to execute the tone synthesizing processing assigned to the device. By the time the dedicated tone generator device starts the tone synthesizing processing, a time necessary for the general-purpose processor to execute the processing has already passed away, so that tones synthesized by the processor and tone generator device can be generated at properly matched timing.

Abstract: A nonperiodic waveform is forced to a periodic character to facilitate looping of the waveform without introducing audible, and thus objectionable, sound artifacts. Nonperiodic waveforms are typically nonperiodic due to the presence of nonharmonic high frequency spectral components. In time, the high frequency components decay faster than low frequency components and looping of the waveform is facilitated. A loop forcing process and loop forcing filter facilitate looping of a nonperiodic waveform by accelerating the removal of the nonperiodic high frequency components. A loop forcing filter accelerates the removal of nonperiodic high frequency components using a comb filter having a frequency selectivity that varies in time.

Abstract: A mount by which a component is non-destructively mounted on a musical instrument includes a receptacle and one or more abutment members, such as resilient clips, which do not screw into the instrument but engage the instrument to hold the mount on the instrument. A component is secured to the mount to install the component on the instrument. One such component provides digital control of an analog tone adjustment circuit. The digital control can include selectable preset conditions. Another such component provides on-board effects processing, such as a chorus effect. An output electrical coupling is provided with a switch used to energize the circuit of the component with which it is used.

Abstract: An electronic musical instrument is constructed on a mother board for editing a parameter of an extension board necessary for generating a music tone while monitoring the parameter according to display information. In the instrument, a display device is provided for displaying a current value of the parameter to be edited. An input device is operable for inputting an operational variable effective to change the current value of the parameter. A first control circuit contained in a CPU of the mother board is operative when receiving the display information for controlling the display device to display the current value of the parameter, and is operative when the operational variable is inputted from the input device for transmitting the operational variable to the extension board.

Abstract: A MIDI-compatible gesture synthesizer is provided for use with a conventional music synthesizer to create musically realistically sounding gestures. The gesture synthesizer is responsive to one or more user controllable input signals, and includes several transfer function models that may be user-selected. One transfer function models properties of muscles using Hill's force-velocity equation to describe the non-linearity of muscle activation. A second transfer function models the cyclic oscillation produced by opposing effects of two force sources representing the cyclic oppositional action of muscle systems. A third transfer function emulates the response of muscles to internal electrical impulses. A fourth transfer function provides a model representing and altering virtual trajectory of gestures. A fifth transfer function models visco-elastic properties of muscle response to simulated loads. The gesture synthesizer outputs MIDI-compatible continuous pitch data, tone volume and tone timbre information.

Abstract: A music synthesizer has one or more sensors that generate a respective plurality of sensor signals, at least one of which is an audio frequency sensor signal. Electronic circuitry, such as a specialized circuit or a programmed digital signal processor or other microprocessor, implements a physical model. The electronic circuitry includes an excitation signal input port for continuously receiving the audio frequency sensor signal as well as a control signal port for continuously receiving a control signal corresponding to the audio frequency sensor signal. The-control signal can have much lower bandwidth than the audio frequency sensor signal.

Abstract: Some of the repetitively generated impulse response signals are inverted for their polarities, and particular harmonics only are erased/attenuated. The rate of generating the impulse response signals remains constant or changes relative to the pitch, and the tones of the fixed formant type or the tones of the moving formant type are selected. Both ends of the impulse response signals are cut off, whereby the impulse response signals are superposed one upon the other in a decreased amount, and the amount of operation decreases. A plurality of impulse response signals are synthesized to generate impulse response signals different from the impulse response signals of before being synthesized. The rate of generating the impulse response signals changes not in proportion to the pitch, and tones of the moving formant type or generated changing more mildly than a change in the pitch.

Abstract: An improved method for forming a timbre sample (Q sample) is described. A first Q sample is extracted. A fixed length of the first Q sample is extracted to form a first QL. A portion of the first Q sample other than the first QL is treated as a first pre-waveform. A last portion of the first pre-waveform is extracted and is processed with the second Q sample by a first COS modulation so as to obtain a second QL, which is connected to the first pre-waveform to form a second Q sample. A first period waveform of the second QL and a last portion of the first pre-waveform are processed by a second COS modulation to form a single period QL. Repeating the single period QL forms a third QL. Connecting the third QL to the first pre-waveform forms a third Q sample. The second QL is transformed by a digital Fourier transformation, and its high frequency modes are removed. The transformed second QL is inversely transformed back by an inverse digital Fourier transformation to form a fourth QL.

Abstract: A sound synthesizer for a plucked string instrument simulates noises and transients produced before and after and during the transitions between notes. A particularly convincing synthesis of a plucked string instrument is produced by combining the transients into the final output. In particular, the transient tap tone and longitudinal vibration of the string resulting from the string pluck, and the damping tap tones resulting from the string damping, are all simulated. In one embodiment, the tap tone created upon attack and plucking of a string, is synthesized, and then used to stimulate a resonant circuit, thereby simulating both the pluck tap tone, and the transverse vibration of the string. In addition, the final damping transients which occur at the end of an articulated note are also simulated, using either an independent transient synthesis section, or by stimulating the resonant circuit with a tap tone, while simultaneously re-tuning that resonant circuit.

Abstract: In a music and graphic apparatus, a performance input device provides performance information effective to control generation of a music sound. A timbre input device provides timbre information effective to specify a timbre of the music sound. A sound source is operative based on the timbre information to simulate an acoustic instrument capable of creating the specified timbre. The sound source is responsive to the performance information to generate the music sound as if voiced by the acoustic instrument with the specified timbre. A model image generator generates a model image graphically representing at least a part of the acoustic instrument. A dynamic image generator is operative according to the performance information for generating a dynamic image graphically representing an operation of the acoustic instrument.

Abstract: Basic tone waveform corresponding to a designated tone color and pitch is generated in each of a plurality of channels. Effect is imparted to the basic tone waveform in accordance with an algorithm for providing a predetermined effect, independently for each of the channels. The effect to be imparted is controlled in accordance with the designated tone pitch, separately for each of the channels. The effect impartment may be conducted using a processor, such as a DSP, executing a predetermined program containing a predetermined effect-imparting algorithm. In one example of the effect-imparting algorithm, a delay loop is employed through which an input exciting signal is circulated while being delayed, and an effect specific to an electromagnetic pickup of an electric guitar can be approximated by controlling the delay amount in the delay loop.

Abstract: A musical sound synthesizer generates a predetermined singing sound based on performance data. A compression device determines whether each of a plurality of phonemes forming the predetermined singing sound is a first phoneme to be sounded in accordance with a note-on signal indicative of a note-on of the performance data, and compresses a rise time of the first phoneme when the first phoneme is sounded in accordance with occurrence of the note-on signal of the performance data.

Abstract: An electronic musical instrument utilizes a tone generator installed with a plurality of timbres for generating a musical tone having a timbre selected from the installed timbres. A MIDI interface is provided for receiving timbre designation information which designates a primary choice and a secondary choice of desired timbres. A bank selector operates when the primary choice is present in the installed timbres for selecting the same so that the musical tone is generated in a desired timbre of the primary choice, and otherwise operates when the primary choice is absent in the installed timbres for selecting the secondary choice in place of the primary choice from the installed timbres so that the musical tone is generated in another desired timbre of the secondary choice.

Abstract: A method and apparatus for automatically compensating a tone color. The method includes a first step for determining whether a channel is modified or an input audio signal is switched, a second step for calculating frequency characteristics of the input audio signal and comparing the compared result with data in a basic table, a third step for determining the input audio signal as a least error mode during the second step, and a fourth step for compensating a tone color in accordance with the determined mode. The method and apparatus automatically adjusts a tone color by determining a present tone color in itself on the ground of the frequency energy being presently applied when a channel is modified, an input audio signal is switched, or a color sound mode is modified, thereby eliminating a manual manipulation by a user as well as providing an optimal sound.

Abstract: A multi tone generator having a module for instructing a start of generating a musical tone signal, a module for designating a tone generator type for generating the musical tone signal, from a plurality of tone generator types; a module for performing a common process shared by the plurality of tone generator types, when the start of generating the musical tone signal is instructed; and a module for performing a process specific to the designated tone generator type, by using results of the common process.

Abstract: A method for automatically adjusting the parameters of a synthesizer includes generating a first synthesized signal based on an initial set of synthesizer parameters, comparing the first synthesized signal to an input sound signal, and generating a control signal for adjusting a subset of parameters of the synthesizer to minimize the differences between the first synthesized signal and the input sound signal. These steps may be iteratively performed for a predetermined number of additional subsets of synthesizer parameters, until a final output of the synthesizer is obtained which represents an optimization of the synthesis of the input sound signal.

Abstract: A network system is constructed for operating a music apparatus having a function as an electronic musical instrument under control by a local terminal which is communicable with a host computer through a network. In the system, the host computer is installed with a capability utilized to compute data effective to extent the function of the electronic musical instrument. The local terminal is connectable to the host computer through the network to remotely control the capability of the host computer so as to compute the data prepared for the music apparatus. The local terminal downloads the computed data from the host computer into the music apparatus through the local terminal. The music apparatus operates according to the downloaded data to extend its own function as the electronic musical instrument. Further, the capability itself can be transferred from the host computer to the music apparatus through the local terminal.

Abstract: In a karaoke apparatus, a tone generator responds to a request of a karaoke song for generating musical tones of the karaoke song having a given gender so as to accompany a live singing voice having an actual gender. A voice changer is provided for selectively conducting either of male-to-female conversion effective to upward shift a pitch of the live singing voice and female-to-male conversion effective to downward shift a pitch of the live singing voice. A voice analyzer is provided for analyzing the live singing voice to determine the actual gender of the live singing voice. A parameter generator is provided for comparing the determined actual gender of the live singing voice with the given gender of the karaoke song so as to control the voice changer to select either of the male-to-female conversion and the female-to-male conversion if the actual gender differs from the given gender so that the pitch of the live singing voice can be shifted to match the given gender of the karaoke song.

Abstract: An improved control structure for music synthesis is provided in which: 1) the sound representation provided to the adaptive function mapper allows for a greatly increased degree of control over the sound produced; and 2) training of the adaptive function mapper is performed using an error measure, or error norm, that greatly facilitates learning while ensuring perceptual identity of the produced sound with the training example. In accordance with one embodiment of the invention, sound data is produced by applying to an adaptive function mapper control parameters including: at least one parameter selected from the set of time and timbre space coordinates; and at least one parameter selected from the set of pitch, .DELTA.pitch, articulation and dynamic. Using an adaptive function mapper, mapping is performed from the control parameters to synthesis parameters to be applied to a sound synthesizer.

Abstract: To allow a general-purpose processor and dedicated tone generator device to execute an ensemble with their tone generating timing properly matched with each other, tone synthesizing processing based on performance information is assigned to either the general-purpose processor or the dedicated tone generator device. The general-purpose processor, after completion of the tone synthesizing processing thereby, performs control to cause the dedicated tone generator device to execute the tone synthesizing processing assigned to the device. By the time the dedicated tone generator device starts the tone synthesizing processing, a time necessary for the general-purpose processor to execute the processing has already passed away, so that tones synthesized by the processor and tone generator device can be generated at properly matched timing.

Abstract: The PC audio circuit described interfaces with and provides audio enhancement to a host personal computer of the type including a central processor, system memory and a system bus. The PC audio circuit includes a digital signal processor (DSP) for processing wavetable data and generating digital audio signals for a plurality of voices. The wavetable data is stored in the host computer's system memory and transferred in portions, as needed by the DSP, to a smaller, low-cost cache memory included with the PC audio circuit. The DSP processes several frames of data samples for an active voice before processing another voice. Processing in this manner alleviates concerns about the percentage use of system bus bandwidth and the maximum allowable system bus latency. These concerns are further alleviated by deriving frequency compensated wavetable data and storing it in system memory to be retrieved by the DSP for generating digital audio signals having high frequency ratios.

Abstract: A computer system for generating delay-based audio effects in a wavetable music synthesis system in which wavetable data is stored in system memory. The system comprises a system memory wherein wavetable data is stored, an I/O bus coupled to the system memory and a system audio device. The system audio device comprises an I/O bus interface coupled to the I/O bus, a synthesizer, a plurality of buffers coupled to the I/O bus interface and to the synthesizer for buffering the wavetable data from the system memory, a plurality of write-back buffers coupled to the I/O bus interface and the synthesizer for effects processing, and a buffer manager coupled to the I/O bus interface, the synthesizer, the plurality of buffers, and the plurality of write-back buffers.

Abstract: A control circuit is integrated in a semiconductor chip for controlling operation of an electronic musical instrument according to a custom program stored in an external memory so as to generate a musical tone. In the control circuit, an internal memory is formed in the semiconductor chip separately from the external memory for permanently storing a common program which is dedicated to synthesis of the musical tone while the custom program stored in the external memory is customized for the operation of the electronic musical instrument. A tone synthesizer is formed in the same semiconductor chip for synthesizing -,he musical tone when the common program is executed.

Abstract: A received data processing system is composed of a transmitter which includes a transmission unit which sends by radio sensor data such as a pulse rate obtained by a pulse sensor, a wrist watch which receives the sensor data from the transmitter using a reception unit and displays it on a display, and an external storage attached removably to the wrist watch for storing the received sensor data. Since the transmitter is attached closely to the human body to sense a pulse rate, detection of the pulse rate is ensured even if the user is in exercise. Since data on the pulse rate is stored in the removable external storage through the wrist watch, the system can process a large amount of data.

Abstract: An audio data format in which an instrument is described using a combination of sound samples and articulation instructions which determine modifications made to the sound sample is provided. The instruments form a first, initial layer, with a second layer having presets which can user defined to provide additional articulation instructions which can modify the articulation instructions at the instrument level. The articulation instructions are specified using various parameters. The present invention provides a format in which all of the parameters are specified in units which relate to a physical phenomena, and thus are not tied to any particular machine for creating or playing the audio samples. The articulation parameters include generators and modulators, which provide a connection between a real-time signal and a generator. The parameter units are specified in perceptually additive units, to make the data portable and easily edited.

Abstract: Effect data designating a desired sound effect is introduced from the outside, and a tone generator generates a tone imparted with an effect based on the introduced effect data. A conversion table is provided which classifies predetermined effects impartable by the tone generator into groups in accordance with characteristics of the effects and stores for each of the groups effect data indicative of effect belonging to the group. If it is ascertained, from the table, that the introduced effect data designates an effect not impartable by the tone generator, the effect data indicative of another effect belonging to one of the groups which corresponds to a characteristic of the introduced effect data is extracted from the table. The tone generator imparts the tone the effect designated by the extracted effect data in place of the introduced effect data.

Abstract: A plurality of digital signal processors are provided in parallel relation to each other, and a series of operations for desired sound signal synthesis or processing is divided into a plurality of operation groups to be allocated to the signal processors. First and second buses are connected to each of the signal processors so that parameters necessary for the operations are distributively supplied to the signal processors via the first bus and the operation result of each of the signal processors is transferred to another digital signal processor or an output port via the second bus. One digital signal processor receives the output data from another digital signal processor via the second bus so as to perform a predetermined operation using the received data. The desired sound signal processing is thus executed by combinations of the operations performed by such signal processors.

Abstract: A digital signal processing for, e.g., tone synthesis or tone control is performed by reading a microprogram from a microprogram memory and executing a digital signal processing algorithm according to this microprogram using necessary coefficients. A first coefficient to be used in this digital signal processing is supplied by a coefficient supply section but this first coefficient is not used directly for execution of the algorithm. A second coefficient which is actually used is generated as a result of a predetermined interpolation operation by a coefficient interpolation section using the first coefficient as a target value. The second coefficient which is used for execution of the algorithm, therefore, changes timewise toward the first coefficient. This coefficient interpolation section is provided independently from the microprogram.

Abstract: An audio synthesis circuit is disclosed that incorporates a phase accumulator, adder, sinusoid computing circuit, feedback controller, modulation controller and output accumulator. The audio synthesis circuit generates harmonically complex audio tones, which are output from the sinusoid computing circuit via the output accumulator through the use of frequency modulation of the phase of the audio tones. Instead of feeding back the audio tone to modulate the current phase, the disclosed audio synthesis circuit feeds back the current phase, which is converted by the feedback controller into a scaled feedback factor generated through a process using a waveform computing circuit that, without log-linear conversion, computes a preset cyclical function at an argument equal to the current phase. The feedback factor is then added to the current phase to generate a modulated phase value.

Abstract: A music synthesizer includes main resonator, such as a digital waveguide network, that is coupled to a digital passive nonlinear filter. The passive nonlinear filter receives traveling wave signals from the resonator and generates modified traveling wave signals having a different frequency spectrum than the received traveling wave signals without changing the received traveling wave signals' energy content. The passive nonlinear filter then transmits the modified traveling wave signals back into the resonator. The passive nonlinear filter includes a first memory element for retaining an internal energy state and a dual-mode signal generator that generates the modified traveling wave signal from the received signals and the internal energy state using a first signal processing method when the internal energy state has a negative value and using a second distinct signal processing method when the internal energy state has a positive value.

Abstract: A tone generating apparatus for connection to a control device has a tone signal-generating block having a plurality of tone signal-forming circuits that form tone signals in respective tone signal-forming manners. A determining block determines to which of the plurality of tone signal-forming circuits control data delivered from the control device is to be supplied. A control data supply block supplies the control data to a corresponding one of the plurality of tone signal-forming circuits of the tone signal-generating block, depending upon a result of the determination by the determining block.

Abstract: Only in a transient band of a filter, substantially all frequency bands of the musical tone waveform are subjected to filter processing. Due to this, the drawback that the amount of change of the frequency characteristic of the musical tone gradually changes as a whole from a fundamental wave toward a harmonics and only one part of the frequency characteristic of the musical tone changes is eliminated.Also, the density of frequency components of the frequency band of the musical tone waveform does not change, the related frequency band is shifted in frequency, subjected to filter processing, and further shifted to a frequency in accordance with the musical tone pitch. Due to this, a specific range of the filter characteristic is selected, and the musical tone is subjected to the filter control only within this range.

Abstract: A tone generator has a waveform memory which stores waveform data at least having a loop section defined by a loop start address and a loop end address for repetitive reading out. An address-generating circuit generates a readout address by which the waveform data is read out from the waveform memory and delivers the readout address to the waveform memory to read out the waveform data from the waveform memory. A bit mask circuit masks a predetermined range of more significant bits of the readout address to generate a bit-masked address value. When it is determined that the readout address falls outside the loop section at least at one side of the loop start address and the loop end address of the loop section, a looping readout address generated by the use of the bit-masked address value is delivered as the readout address.

Abstract: In an electronic musical instrument, a complete range of a keyboard can be split into at least two registers, so that a different kind of tone color can be assigned to each of two registers. The electronic musical instrument provides at least four tone-color designating switches, one edit switch and two kinds of indicators. Each of the four tone-color designating switches is capable of independently designating a certain tone color. Herein, two tone-color designating switches are provided to designate two tone colors respectively for use in one register, while other two tone-color designating switches are provided to designate two tone colors respectively for use in another register. The edit switch designates each of parameters which are used to define a property of the tone color. The first indicator indicates the tone color currently designated, while the second indicator indicates the parameter currently edited.

Abstract: An electronic musical instrument having a pitch designating unit capable of designating pitches of a plurality of tone signals to be generated, a plurality of tone signal generating channels for selectively generating and outputting a plurality of tone signals having a different pitch designated by the pitch designating unit, a mixing unit for mixing tone signals generated by the plurality of tone signal generating units, a plurality of resonance signal generating units each having a different resonance frequency characteristic, for receiving a mixed tone signal from the mixing unit and generating and outputting a plurality of different resonance signals, and an input level controller provided on the input side of the plurality of resonance signal generating units, for controlling a level of the mixed tone signal from the mixing unit for each resonance signal generating unit, in accordance with a pitch of each of a plurality of tone signals to be generated, and supplying the level controlled mixed tone signal

Abstract: In a device which excites an oscillating signal in a closed loop containing a delay circuit and a filter so as to synthesize a sound of pitch corresponding to the total delay time in the closed loop, arithmetic operations are performed in the closed loop, in response to a change in a color controlling coefficient caused during generation of the sound, for interpolating delayed output signals from plural points in the loop having different delay time. This interpolation compensates for a variation in the signal delay time in the closed loop resultant from the change in the filter coefficient, to allow the entire closed loop to provide such a total delay time that excites oscillation corresponding to a desired pitch. The closed loop also includes first and second filters.

Abstract: The content of component waveforms of at least one signal is changed in a variety of ways among the formant center signals that are synthesized with the formant waveform signals, making it possible to arbitrarily change the waveform of a musical tone that is generated. To cope with changes in the formant waveform signals Ffj(t) or the formant carrier signals Gj(t) formed by synthesizing the component waveforms, furthermore, the signals Fj(t) and Gj(t) are weighed and interpolated. This permits the signals Fj(t) and Gj(t) to change smoothly. Moreover, the number or combination of formant waveform signals synthesized to produce a musical tone is controlled depending upon the musical factors, elapsed time of sounding, envelope levels, envelope phases and/or settings instructed by an operator. This enables the form of the synthesized formant to be changed and the content of a musical tone that is generated to he changed in a variety of ways.

Abstract: A signal synthesizer uses a digital waveguide network having at least a three dimensional matrix of waveguide sections interconnected by junctions to filter one or more excitation signals so as to generate an array of synthesized output signals. The digital waveguide network has sets of waveguide sections interconnected by junctions. Each waveguide section includes two digital delay lines running parallel to each other for propagating signals in opposite directions and each junction has reflection and propagation coefficients assigned to it for controlling reflection and propagation of signals in the waveguide sections connected to that junction. Except for junctions along boundaries of the digital waveguide matrix, a majority of the junctions are 2.sup.w -way junctions, where W is an integer greater than 1.

Abstract: A musical tone signal synthesizer wherein a first waveform signal of a frequency defined by first frequency information is produced as a modulation signal, a second waveform signal indicative of a windowing function is produced at a cycle defined by second frequency information and a third waveform signal starting from a predetermined phase at each cycle of the second waveform signal is repeatedly produced at a shorter cycle than that of the second waveform signal, and wherein the second and third waveform signals are modulated by the first waveform signal and multiplied to produce a fourth waveform signal as a musical tone signal having a fixed formant characteristic comprised of a plurality of formants.

Abstract: A tone synthesis system employs a filtered delay loop which is excited by an excitation signal. The excitation signal corresponds to a partial impulse response of a body filter to the system which is to be simulated. Additional components of the impulse response of the body filter are imparted to an output from the filtered delay loop. High quality tone synthesis can be achieved without the necessity of providing a complicated body filter.

Abstract: A sound synthesis system, having a pitch adjusting function, comprises a pitch adjusting portion and a loop including a tone-color forming portion and a delay portion. A signal circulating through the loop is delayed using an amount of delay by the delay portion; and then, the tone-color forming portion imparts a tone-color characteristic to the signal delayed so as to produce a sound signal. In the pitch adjusting portion, a pitch of the sound signal is detected; and an initial constant is generated based on a designated pitch and/or a designated tone color. The initial constant represents an initial delay effected by the delay portion. In addition, an amount of correction is created based on a difference between the pitch detected and the designated pitch. Thus, the amount of delay of the delay portion is corrected by using the amount of correction in such a way that the pitch of the sound signal is automatically adjusted to be equal to the designated pitch in real time.

Abstract: Plural electronic musical instruments are connected to a bidirectional communication network, and a controller is provided for each of the musical instruments for performing control such that tone control information possessed by the musical instruments can be shared between the musical instruments. A data base may further be connected to the communication network so that tone control information possessed by the data base can also be utilized in each of the musical instruments. If any of the musical instruments does not possess certain tone control information, the musical instrument is allowed to utilize the tone control information by receiving the information from another electronic musical instrument, via the communication network, which possesses the information.

Abstract: An electronic musical instrument has a composite sound source for generating a musical tone, and includes a first synthesizing circuit for creating a variety of timbres of the musical tone having a superior quality and a second synthesizing circuit for creating another variety of timbres of the musical tone having an inferior quality. The instrument admits designation information effective to designate one of the first and second synthesizing circuits to be activated and effective to designate a timbre to be created by the designated one of the first and second synthesizing circuits. A detector operates when the second synthesizing circuit is designated for providing a detection signal if the designated timbre can be also created by the first synthesizing circuit.